This is a documentary chronicling the life of Charles Henri Ford (now in his nineties and still as alert as ever), a pivotal figure in the European and American avant-garde scene from the late '20s through the present. Born to a Southern family that owned a hotel and included sister Ruth Ford, an actress who is best known for the U.S. debut of Jean-Paul Sartre's No Exit, Charles moved to New York City in 1930, where his unmistakable male beauty sparked interest in the city's burgeoning gay scene. In the 1940s, he founded the literary journal Blues and the later View, which provided space for future notables such as Jean Genet and Vladimir Nabokov. The filmmakers made this motion picture over the course of ten years, lining up -- in the process -- a number of legendary avant-garde figures to discuss Ford, several of whom died by the time directors James Dowell and John Kolomvakis finished the picture. These include: William S. Burroughs, Allen Ginsberg, Philip Johnson, Paul Cadmus, Paul Morrissey, Ned Rorem, Paul Bowles and Gerard Malanga. Ford relates several anecdotes about them as well. The filmmakers spent over a decade creating this picture, tapping various historians, critics, and curators for additional details.
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