Tattletales

The fourth Saturday morning TV series produced by puppeteers Sid and Marty Krofft, Land of the Lost was far more serious in tone than their earlier efforts (H.R. Pufnstuf, The Bugaloos, and Lidsville), and far more ambitious. While embarked upon an expedition of the Colorado River, camp ranger/explorer Rick Marshall (Spencer Milligan) and his children Will (Wesley Eure) and Holly (Kathleen Coleman) plunge over a waterfall and into a time vortex. They emerge in a faraway planet called Altrusia, a primitive land that had somehow become a gathering place for beings of various other time periods. The Marshalls were now surrounded by a frightening array of Paleozoic dinosaurs, a Cenozoic-era family of monkey-like humans called the Paku, and the fearsome, seven-foot-tall Sleestak, who resembled a cross between beast and insect. Also residing in Altrusia was Enik (Walter Edmiston), a superintelligent being who at first glance appeared to have come from the future, but was actually an antecedent of the Sleestak, who had devolved from a once highly advanced civilization. The resourceful Marshalls managed to carve out a new home for themselves in this land of the lost, and to befriend the Paku, who spoke in a bizarre language called Pakuni (developed for the series by Dr. Victoria Fromkin, head of the UCLA Department of Linguistics). Though somewhat crude-looking by 21st century standards, the special effects on Land of the Lost, combining back projection, stop-motion animation, and puppetry, was quite impressive in its time, and is still nothing to be ashamed of when seen today. Also, during the first two seasons, the scriptwork maintained a lofty Star Trek-like level, thanks to the input of such eminent sci-fi/fantasy writers as David Gerrold, Larry Niven, Ben Bova, D.C. Fontana, and Theodore Sturgeon. Debuting September 7, 1974, Land of the Lost soon emerged as NBC's most successful and popular live-action Saturday morning series. This may explain why it was the Kroffts' longest-running children's TV program, ultimately lasting three seasons and 43 half-hour episodes. That said, it must be admitted that the series' first two episodes were more impressive than its third year on the air. For season three, several changes were imposed, not least of which was the removal of Spencer Milligan as Rick Marshall. It was explained that, during an earthquake that destroyed the Marshalls' mountain living quarters, Rick was sucked through another time portal and vanished, never to return. By an astonishing coincidence, another member of the Marshall family, Will and Holly's Uncle Jack (Ron Harper), had fallen into still another time portal while searching for his lost family members and was deposited in Altrusia! While this incredible set of circumstance was hard enough to swallow, even more problematic was the fact that the Marshalls were suddenly being visited by a wide variety of misplaced persons and creatures who came and went through additional portals with the greatest of ease -- even though the Marshalls themselves were never able to find a means of escape! Thus, whereas the first two seasons of Land of the Lost was very Star Trek-ish in its approach, season three took on the juvenile trappings of Lost in Space. After finishing its NBC run on September 4, 1978, Land of the Lost entered the realm of rerun syndication. The original episodes were rebroadcast by CBS in 1985 and 1987; in 1991, a brand-new version of Land of the Lost, with a completely different cast, began a two-year run on ABC.

While Pride and Rita plan their wedding, the FBI try to get Connor's mother by placing him under arrest for the bar's firebombing. Agent Dwayne Pride from NCIS, Naval Criminal Investigative Service, leads his team to investigate men in uniform, involved in criminal activities in "The Big Easy" a city known for its music, entertainment and corruption. The flashy city is a magnet for military men and their overindulgence often push them to the darker side of the city.

After fifteen years of marriage, painting contractor Gary Barnes (Joy Mohr) and his controlling wife Allison (Paula Marshall) have finally split, and now as the unhappy couple attempts to navigate the treacherous waters of divorce while sharing custody of their two kids - environmentally conscious eleven year old Louise and socially awkward fourteen year old son Tom - Gary discovers that there's no such thing as the "perfect divorce. Despite the fact that Gary is determined to follow the advice of their marriage counselor and not begin dating so soon after the divorce, he can't help but develop feelings for lovely single mother Vanessa after the two connect while he's working on her house. Later, when Allison reveals to Gary that she's engaged to their shrink, Gary decides to throw caution to the wind and finally take his relationship with Vanessa to the next stage. But it won't be easy, because when you're juggling so many relationships, achieving true post-marriage happiness can be an especially difficult endeavor.

Ink is a television sitcom which aired on CBS from 1996-1997 that starred real-life husband and wife Ted Danson and Mary Steenburgen as newspaper journalists, allegedly inspired by the film His Girl Friday. The show was also produced by Danson and Steenburgen. The show was canceled after one season due to lower than expected ratings. The distribution rights to the series are currently owned by Disney-ABC Domestic Television. The show's pilot was drastically changed and reshot from the original version.Ink was filmed at the soundstages of CBS Studio City in the Studio City area of Los Angeles. Outdoor scenes were usually shot at the small backlot streets of the same studio.

The deadpan Rat Packer played an unmarried showbiz publicist in this sitcom's first season. But an overhaul of the show in the second year (with a title change to 'The New Joey Bishop Show') turned the character into a married talk-show host and stand-up comedian. Celebrities appeared as themselves---guests on the fictional talk show. In its final season, the series moved to CBS, where it was broadcast in black and white (after being in color on NBC for three seasons).

A family of friendly monsters that have misadventures all while never quite understanding why people react to them so strangely.