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One of the landmark "screwball" comedies of the 1930s, My Man Godfrey offers the radiant Carole Lombard in her definitive performance as flighty young heiress Irene Bullock, who on a society scavenger hunt stumbles on Godfrey (William Powell), an erudite hobo residing in the city dump. Godfrey becomes the family's butler, much to the dismay of Irene's father Alexander (Eugene Pallette), who thinks his household is crazy enough without another apparent lunatic under his roof. Halfway through the film, we discover that Godfrey isn't a penniless bum at all, but the scion of a wealthy Boston family. Having been burned by an unhappy romance, Godfrey dropped out of life, taking up residence in the dump. Here his faith in humanity was restored by his fellow indigents, who managed to survive and remain optimistic despite the worst deprivations. Meanwhile, however, he wants to straighten out the Bullock family, who he feels are a basically decent bunch beneath all their pretensions and eccentricities -- and along the way, of course, Irene determines that Godfrey will be her husband. While Godfrey's ultimate "solution" to the exigencies of the Depression seems more of a placebo, My Man Godfrey is all in all a totally satisfying jolt of 1930s-style wish fulfillment.

Cosmic outlaws face an interstellar villain who seeks to control the universe with a powerful orb. Together, Peter Quill, Rocket Raccoon, Groot, Gamora and Drax the Destroyer may be the galaxy's only hope for thwarting Ronan's sinister plan.

Brittany, a new divorcee is attending her "Divorce Party Weekend," and meets handsome stranger, Jake. He appears to be everything her ex-husband is not. A few days later, she bumps into him at a coffee house and she finds herself falling for him. In the meantime, Brittany is still friendly with her ex, Austin, who is seriously questioning this new relationship.

Stuart Rosenberg, under the guise of Alan Smithee, directed this action film concerning a soldier of fortune sent into a South American country to rescue a kidnapped American during a revolutionary upheaval. Harry Burk Jr. (Mark Harmon) and United States Ambassador Douglas (Bruce Gray) are held hostage by Colombian drug dealers who demand the release of associates who are imprisoned in the United States. But the U.S. government refuses to negotiate with the drug dealers. In disgust, Harry's brother Corey (Michael Schoeffling) and three of his friends (Tom Wilson, Glen Frey, and Rick Rossovich), along with an adventurous auto dealer named Jack (Gary Busey), hire mercenary soldier Shrike (Robert Duvall) to sneak into Columbia and rescue Harry.

Rose, an elderly survivor, tells the tale of her romance with Jack and what happened aboard the majestic Titanic before the glory sank to the bottom of the sea.

Broadway's celebratory musical about rejection makes it to the screen in a fizzless adaptation by Richard Attenborough that misses the whole point of the Broadway show -- i.e. the dancing and the dancers. Instead, the dancers become a limp Greek chorus for the dead love affair between a choreographer, Zach (a pre-Gordon Gekko Michael Douglas) and his old flame, Cassie (Alyson Reed) the star dancer. Zach is holding try-outs for a new Broadway musical and, as armies of dancers are brought on stage to audition for Zach, he sits in the darkened recesses of the theater, puffing on a cigarette, as he winnows out hopeful dancers who want to become part of the chorus line for Zach's new show. Finally, Zach has reduced the dancers to 16 men and women, and he asks each of them to step to the footlights and tell him about their lives and their dreams. But backstage, while the dancers are confessing their pasts to Zach, Zach's past walks through the stage door. Cassie, Zach's ex-lover, whom Zach met, courted and broke up with in the theatrical environs, has returned. Once a big star, Cassie has returned to the theater -- not to see Zach but to audition for Zach's musical. She needs the work.

An ice age is brought on by the effects of global warming and palaeoclimatologist Jack Hall struggles through the masses fleeing south for warmer climate on his way north to reunite with his son.

The silent classic features the Tramp trying his luck in Klondike and gold is not the only thing he finds there.

A débutante in 1960s Mississippi sends her community into an uproar by conducting a series of probing interviews with the black female servants of the area's most-prominent families.

Although there were Westerns before it, Stagecoach quickly became a template for all movie Westerns to come. Director John Ford combined action, drama, humor, and a set of well-drawn characters in the story of a stagecoach set to leave Tonto, New Mexico for a distant settlement in Lordsburg, with a diverse set of passengers on board. Dallas (Claire Trevor) is a woman with a scandalous past who has been driven out of town by the high-minded ladies of the community. Lucy Mallory (Louise Platt) is the wife of a cavalry officer stationed in Lordsburg, and she's determined to be with him. Hatfield (John Carradine) is a smooth-talking cardsharp who claims to be along to "protect" Lucy, although he seems to have romantic intentions. Dr. Boone (Thomas Mitchell) is a self-styled philosopher, a drunkard, and a physician who's been stripped of his license. Mr. Peacock (Donald Meek) is a slightly nervous whiskey salesman (and, not surprisingly, Dr. Boone's new best friend). Gatewood (Berton Churchill) is a crooked banker who needs to get out of town. Buck (Andy Devine) is the hayseed stage driver, and Sheriff Wilcox (George Bancroft) is along to offer protection and keep an eye peeled for the Ringo Kid (John Wayne), a well-known outlaw who has just broken out of jail. While Wilcox does find Ringo, a principled man who gives himself up without a fight, the real danger lies farther down the trail, where a band of Apaches, led by Geronimo, could attack at any time. Stagecoach offers plenty of cowboys, Indians, shootouts, and chases, aided by Yakima Canutt's remarkable stunt work and Bert Glennon's majestic photography of Ford's beloved Monument Valley. It also offers a strong screenplay by Dudley Nichols with plenty of room for the cast to show its stuff. John Wayne's performance made him a star after years as a B-Western leading man, and Thomas Mitchell won an Oscar for what could have been just another comic relief role. Thousands of films have followed Stagecoach's path, but no has ever improved on its formula.

Re-telling of Louisa M. Alcott's classic story of four New England sisters growing up during the American Civil War. June Allyson and Elizabeth Taylor star.

A desperate father robs a casino owned by a dangerous mobster to pay for his daughters medical bills. When his getaway driver gets cold feet, he's forced to hijack a city bus filled with innocent civilians in an attempt to get away.