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The Paleface was one of the transitional films in Buster Keaton's career, made just before he switched from two-reel comedies to features. It displays Keaton's trademark intricate physical comedy -- for example, Keaton's hopping around while tied to a stake. From a cultural standpoint, it's notable among films of the early 1920s for presenting its Indian characters with some sympathy; the white oil barons are clearly the bad guys. Everyone, however, gets treated as a comic foil, sometimes in ways that might not appeal to current-day audiences. This is one of several highly regarded comedy collaborations between Keaton and writer/director Eddie Cline. In the late 1930s and early 1940s, when Keaton's career was in decline, Cline would go on to direct W. C. Fields in some of his best films, including The Bank Dick.