In an embattled Israel, director and co-author Yaki Yosha (with Yoram Kaniuk), has come up with a successful pacifist film that is not political -- a most unusual accomplishment. The story is based on Kaniuk's book "The Last Jew," and its subject matter would apply to any war-ravaged area of the world, at any time in history. The ex-soldier Boaz (Shraga Harpaz) has just returned from battle, struggling with the guilt of a survivor remembering those who died -- morose and taciturn, he finds it difficult to adjust. One day he runs into an ex-teacher, the father of one of his buddies killed in the war, and the teacher supplicates him to do an "album" of his memories of the dead son. Boaz reluctantly complies, mainly out of consideration for the father's own emotional needs. He is rewarded by the grateful father, and when this simple act gets around, he finds himself doing more albums for people and miserably making money on the activity -- like a vulture feeding off the dead. The people he meets are real, grieving for their losses, and so Boaz finds himself put in an untenable position: he cannot say no, but saying yes has made life that much harder for him.
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Leigh Anne Touhy, a headstrong, wealthy Memphis woman welcomes into her home Michael Oher, an emotionally traumatized African-American high-school student who turns out to be gifted at playing football.
Tara, now settled in Montana and dating Cowboy Boone, works to bring their family lives together, but tensions arise, as blending their families will be more of a challenge than anticipated.
A successful lawyer returns to his small hometown to defend his father, a local judge, against a murder charge. As the trial commences, the urbane counselor slowly begins to reconnect with his roots.
Abandoned by her family, Kya raises herself all alone in the marshes outside of her small town. When her former boyfriend is found dead, Kya is instantly branded by the local townspeople and law enforcement as the prime suspect for his murder.