The Spoils Before Dying

Emmy® nominee Sarah Goldberg (Barry) and Susan Stanley (Fair City) star as two women born continents apart who realize they are sisters and embark on an eventful road trip in search of their father.

A sketch-comedy series that parodies life in Portland, Oregon.

When Steve is asked by The Observer to tour Northern England's finest restaurants, he envisions it as the perfect getaway with his beautiful girlfriend. But, when she backs out on him, he has no one to accompany him but his best friend and source of eternal aggravation, Rob. Series two finds the men touring Italy.

Documentary Now! lovingly parodies some of the world’s best-known documentaries. Starring Fred Armisen and Bill Hader, each episode is shot in a different style of documentary filmmaking and honors some of the most important stories that didn’t actually happen.

Animated series about the coming-of-age misadventures of best friends living in a small town in the middle of nowhere, waiting out their last few years of high school. The social outcasts discover quickly that with puberty, first loves, conservative parents, and single moms with their disastrous boyfriend choices growing up is weird.

Vic Morgenstein (formerly Vic Morgan) has been distributing gruesome Asian horror schlock and soft-core smut for years. His flagship video series, "Drunk Chicks" 1 through 6, consists entirely of inebriated young women exposing their breasts. These low rent titles have earned Vic a comfortable living, and a less-than savory reputation; everywhere he goes, young men recognize his face from the DVD cases and lift their shirts to him in salute. Vic was willing to accept his complete lack of respectability so long as the money kept rolling in. But that all changed when picked up a low budget, art-house movie called The Unreasonable Truth About Butterflies at a second rate film festival. Butterflies, directed by total unknown Rufus Marquez, went on to become something of darling on the indie festival circuit. Vic got hooked on respectability and came to realize his new dream: to produce and distribute "respectable" indie films. The only snag is Vic is bereft of things like taste and vision, so he enlists the help of seasoned IFC segment producer, Julia Sullivan. Together they will undertake the quest of producing their first indie-thriller, House of Fear, while Porn starlets, vapid PR execs, self-absorbed B-movie stars, eccentric Japanese investors, the American Beef lobby, and an unstable director create problems at every turn. Will Vic and Julia produce the film they dreamed of without compromising their integrity? Probably not, but the journey will be hilarious.