The mockumentary is about the founding and evolution of a women's cult in British Columbia, Canada, to its eventual demise and the effects it had on the cult members, people in the community, and pop culture outside of the group.
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One of the most popular novelty songs of recent memory forms the basis of this animated holiday-themed comedy. As if young Jake Spankenheimer doesn't have enough problems on Christmas Eve, he has to help his mom and dad prevent mean-spirited Cousin Mel (voice of Michele Lee) from taking ownership of the family store. When his grandmother gets lost in the cold in the midst of the confusion, Jake is sent out to find her, only to discover that she's become the victim of a rather unusual hit-and run accident -- and that Santa is real, but not quite the sort of guy he was expecting. Grandma Got Run Over by a Reindeer was directed by Phil Roman, who previously helmed several of the Peanuts TV specials in the 1970s and was a producer for the TV series King of the Hill and The Critic. Elmo Shropshire, who as one-half of Elmo and Pasty recorded the hit version of the song, narrates the story and contributes new songs for the soundtrack.
Debuting September 18, 1978 on CBS, WKRP in Cincinnati was a weekly, half-hour "ensemble" sitcom largely set in the offices of a Major-Market radio station. Languishing at the bottom of the ratings chart with its moribund "beautiful music" format, WKRP was given a major shot in the arm with the arrival of ambitious new program director Andy Travis (Gary Sandy), who tossed out all the old Lawrence Welk records and installed an ultrahip Top-40 rock format. As WKRP's ratings rose slowly but steadily, Andy and the other staffers did their best to keep the momentum flowing despite an unprepossessing lineup of sponsors (ranging from nursing homes to funeral parlors) and the formidable opposition of WKRP's wealthy, imperious owner, Mrs. Lillian Carlson (played by Sylvia Sidney in the pilot episode, and thereafter by Carol Bruce). The other regulars included station manager Arthur "The Big Guy" Carlson (Gordon Jump), a well-meaning but ineffectual oaf who kept his job only because he was the owner's son; WKRP's sales manager Herb Tarlek (Frank Bonner), whose boorish behavior was rivaled only by his garish wardrobe; prissy, uptight and incredibly naïve newscaster Les Nessman (Richard Sanders), whose mission in life was to win the coveted Buckeye Newshawk Award; Dr. Johnny Fever, aka Johnny Caravella (Howard Hesseman), the station's mercurial, all-but-burned-out morning DJ; Venus Flytrap, aka Gordon Sims (Tim Reid), the funky, low-key nighttime platter-spinner; and Ms. Bailey Quarters (Jan Smithers, Andy's ebullient young assistant and traffic-and-billing expert, a classic example of "still waters run deep." Ultimately emerging as the true star of the series was Loni Anderson as WKRP's blonde, curvaceous receptionist Jennifer Marlowe, who though she refused to type or take dictation was the station's most efficient and level-headed employee, forever running interference for her bosses and coming up with last-minute solutions to otherwise insoluable problems (appropriately, Jennifer was the station's highest-paid staffer). One of the series' many running gags found Jennifer forever fending off the advances of the libidinous (and very married) Herb Tarlek, while simultaneously dating a never-ending parade of elderly millionaires. Created by Hugh Wilson, who drew extensively from his own professional experiences at various local radio stations (notably in the classic first-season episode "Turkeys Away"), WKRP in Cincinnati almost instantly built up a loyal critical and fan following, though thanks to CBS's haphazard scheduling practices it never truly clicked in the ratings. Nevertheless, the series lasted four seasons, ending its network run on September 20, 1982, and later yielding a moderately successful first-run syndicated spinoff (with a largely different cast), The New WKRP in Cincinnati (1991-1993). The catchy opening-theme music for the original WKRP was written by Tom Wells and Hugh Wilson, and performed by Steve Carlisle, while the closing-credits rock tune was composed and peformed by Jim Ellis.