Everwood

Beginning on September 29, 1998, as a "teen angst" romantic drama, the weekly, 60-minute WB series Felicity evolved into a "young adult angst" affair by the time the series ran its course on May 22, 2002. Each of the series' four seasons represented a different year in the college life of its heroine, dewey-eyed Felicity Porter (Keri Russell). Enrolling at the University of New York in Greenwich Village so that she could be near her high-school crush Ben Covington (Scott Speedman), Felicity soon discovered that Ben wasn't interested in her -- at least not at first -- but she decided to remain in school anyway. Just as Felicity fluctuated between a pre-med and an art major during her stay at U. of N.Y., so too did her romantic inclinations shift between Ben and her dorm advisor Noel Crane (Scott Foley), with both men falling in and out of love with Felicity at regular intervals, and she with them. During the series' first and last seasons, Felicity would report on her progress -- scholastic and otherwise -- in audiocassette letters sent to her old and never-seen friend Sally (whose voice was supplied by Janeane Garofolo). Other series regulars included Felicity's rather odd roommate Meghan Rotundi (Amanda Foreman), who may or may not have been into witchcraft; her best friend Julie Emrick (Amy Jo Johnson), who after several failed romances, one with Ben, dropped out of school -- and the series -- at the beginning of season three; another friend and classmate Elena Tyler (Tangi Miller), a girl of humble means who was attending college on a scholarship, and whose boyfriend, Tracy (Donald Faison), refused to have sex with her until marriage (he eventually "gave in," but wedding bells never rang); Ben's naïvely optomistic roommate Sean Blumberg (Greg Grunberg), he of the thousand-and-one "get rich quick" schemes and ultimately Noel's partner in an independent web-design firm -- not to mention the husband of the spooky Meghan; Javier Quintata (Ian Gomez), Felicity's gay boss at Dean & DeLuca, a campus café; Zoe Webb (Sarah Jane Morris), whom Noel weds at the end of season four; Lauren (Lisa Edelstein), young mistress of Ben's father, who ultimately bears Ben a child. Outside of the series' outrageous "double surprise" finale, which is right up there on the jaw-dropping meter with the last episodes of St. Elsewhere and Newhart, Felicity is best remembered for the shock delivered to its fans at the beginning of season two, in which star Keri Russell showed up with a new, very short haircut forsaking the long tresses that had become her trademark. With one stroke of the shears, both the series and its star became the darlings of the tabloid crowd -- and, of course, Felicity enjoyed the best ratings it ever had throughout its four-year history.

A youth-oriented drama following the lives of a group of friends in North Carolina from high school through postcollegiate life.

Scripter Kevin Williamson is the creator/executive producer of this Warner Bros. series about small-town teens, set in Massachusetts but filmed in Wilmington, North Carolina. The central figure, 15-year-old filmmaker Dawson Leery (James Van Der Beek), is a high-school sophomore who idolizes Steven Spielberg and is already directing a horror short out of his home studio. Dawson is caught between two gals -- his longtime friend, tomboy Joey (Katie Holmes) and Jen (Michelle Williams), the new blonde in town, who's an atheist. Dawson's best buddy Pacey (Joshua Jackson) makes a play for his English teacher, is rejected, but nevertheless gets in the last word: "You blew it, lady, because I'm the best sex you'll never have!" With the constant sex talk, this TV series plays like a Peyton Place for the Millennium -- where jaded, world-weary teens have cool one-liners ready for every occasion, necessary if you live in a town where everyone keeps a stiff upper libido and analytical adolescent angst rules. Freud and Kinsey could have had a field day here, just trying to stay afloat in the psycho-sexual undercurrents of Dawson's Creek. The series premiered January 20, 1998 on the Warner Bros. network.

One of the most atypical weekly series to emerge from the Aaron Spelling TV factory, 7th Heaven, created by Spelling and Brenda Hampton, has eschewed the sex-and-sin shenanigans of such series as Beverly Hills 90210 and Melrose Place in favor of honest, three-dimensional family values, with generous doses of warmth, heart, humor, and pathos. There can be no doubt that this fundamentally wholesome program has struck a universal chord. The series has not only been lavishly praised by critics, honored by such organizations as the Parents Television Council, the Academy of Religious Broadcasting, and the Anti-Defamation League, and given innumerable industry awards, but it is also one of the most successful offerings of the WB network; indeed, it was the first WB series to run more than seven seasons, and during four of those seasons, it was the network's highest-rated show. Set in the suburban L.A. community of Glen Oak, the series revolves around the Camden family, headed by Eric Camden (Stephen Collins), pastor of the town's Community Church, and Eric's homemaker wife, Annie (Catherine Hicks). In the tradition of The Waltons, loyal 7th Heaven viewers have enjoyed the rare privilege of watching the Camden children grow up before their very eyes. When the series debuted on August 26, 1996, handsome and personable Matt Camden (Barry Watson) was 17 years old; basketball-playing Mary Camden (Jessica Biel) was 13 going on 14; intellectual, inquisitive Lucy Camden (Beverley Mitchell) was 12; happy-go-lucky Simon Camden (David Gallagher) was ten; and precocious Ruthie Camden (Mackenzie Rosman) was five. By the time the series entered its eighth season, the three oldest Camden kids were married and pursuing careers, while the two youngest were seasoned veterans of the school dating scene. (Two more Camden youngsters, twin boys Sam and David, were born halfway through the 1998-1999 season). All of the Camdens, parents included, have had more than their share of setbacks and tragedies (some of them absolutely devastating) as the series has rolled forward, but somehow all of the members of the clan, from patriarch Eric on down, have been able to recover, rally, and persevere with the help and support of their family and friends -- not to mention their inner faith. And unlike so many other TV series which traffic in personal interrelationships, the characters in 7th Heaven are very much a part of the "real" world. During its lengthy WB run, the series has exposed its principals to a wide variety of contemporary issues: teen suicide, racial prejudice, substance abuse, drunken driving, homelessness, negative peer pressure, teen pregnancy, Alzheimer's disease, the Holocaust, the war in Iraq, and the crisis in the Sudan. Eminently suitable for viewers of all ages, but never a mere sop to the "kiddie" trade nor a placebo for the clean-up-TV brigades, 7th Heaven has been and will likely always remain the jewel in the WB crown.

Buffy the Vampire Slayer, Joss Whedon's first cult-favorite horror-comedy drama, used its supernatural trappings as the breeding ground for countless metaphors about adolescence, young adulthood, and female empowerment. But Angel, its spin-off and Whedon's second successful outing for the youth-oriented WB network, uses the mysterious demon realm to literalize the nebulous grey areas -- moral and ethical, professional and romantic -- that suddenly leap out at young adults once they've left the nest. A detective comedy-cum-supernatural soap opera with a conscience-stricken immortal as its ambiguous hero, Angel follows the adventures of the titular vampire and an ever-expanding group of sidekicks as they seek to "help the helpless" in the glamorous shadows of Los Angeles. If the cheap math for Buffy is Wonder Woman plus The Munsters times Beverly Hills 90210, then Angel is more like Dark Shadows meets Melrose Place with a dash of L.A. Law. David Boreanaz leads the cast as Angel, a handsome, brooding hunk who, like many Angelenos, doesn't look his age. Born nearly 250 years ago to a stern Irish father and christened Liam, he spent his youth as a dissolute and drunken lecher. Then he met Darla, an American beauty. She promised to show him the world, and she did -- after making him, like her, an immortal, soulless fiend. As Angelus, Liam terrorized Europe for a century before a gypsy curse restored his human spirit to his demon-animated body. With the knowledge of his vampiric sins burning a hole through his newfound soul, Angel spent most of the 20th century a useless wreck. Then, as chronicled on Buffy, he was recruited by the mysterious Powers That Be to serve as a champion in the fight between good and evil. Buffy fans are no doubt aware that Angel's gypsy curse has a loophole that strips him of his soul the instant he achieves a moment of true happiness -- say, for instance, a night of passion with a certain previously chaste vampire slayer. It was this conceit that allowed Angel to serve as both ally and nemesis to Buffy, and, by precluding any real future for their epic romance, set the stage for his decision to seek atonement in L.A. The quest for redemption, then, is Angel's carrot; the possibility of sliding back into atrocity is his stick. For the show's first four seasons, fellow Buffy veteran Charisma Carpenter served as Boreanaz's comedic and sometimes romantic foil. As the show slowly morphed from a tongue-in-cheek comedy-adventure to an action-packed metaphysical melodrama, Carpenter's Cordelia Chase developed from the spoiled brat of the Buffy years to the kooky girl Friday of Angel Investigations to a champion in her own right. Some longtime fans were therefore outraged when the popular star was written out of the regular cast at the end of the fourth season. Others, however, were relieved that Angel survived a close brush with cancellation to return for a fifth season with an addition to the cast: James Marsters, reprising his Buffy the Vampire Slayer role as Spike, Angel's romantic rival, longtime antagonist, and fellow vampire-with-a-soul. Other recurring and regular cast members have included the late Glenn Quinn as the half-human, half-demon Doyle; Buffy refugee Alexis Denisof as Wesley Wyndham-Price, a bumbling "rogue demon hunter" who eventually becomes truly roguish; J. August Richards as Charles Gunn, a street-smart vampire hunter with hidden depths; Amy Acker as Winifred "Fred" Burkle, a damsel-in-distress turned super-scientist; Andy Hallett as Lorne, a horned, green-skinned demon who can read your future, but only if you sing karaoke for him; future Law & Order babe Elisabeth Rohm as a Scully-esque police detective; Julie Benz as Darla, Angel's oft-resurrected vampire paramour; Vincent Kartheiser as Connor, Darla and Angel's rebellious (and human) teenaged son; and Christian Kane and Stephanie Romanov as a pair of lawyers at Wolfram & Hart, the evil law firm that Angel fights for four seasons and eventually takes over.

Debuting September 29, 1999, the weekly, hour-long WB series Popular was frequently described as a "satire" or "send-up" of the heavy-breathing teen angst genre. This, of course, did not prevent many fans from taking the series' incredible plot twists and turns with the utmost seriousness. The show's basic conflict boiled down to the age-old struggle between the cool and the uncool. The scene was Jacqueline Kennedy High School (where the school paper was called the "Zapruder Reporter"!), where the acknowledged social arbiter was the disgustingly popular Brooke McQueen (Leslie Bibb), captain of the school's "Glamazon" cheerleading squad. Brooke, of course, was also the leader of the school's coolest clique, numbering among its members her football-star boyfriend, Josh Ford (Bryce Johnson), and her two best friends, über-bitch Nicole Julian (Tammy Lynn Michaels) and shallow, borderline-psychotic Mary Cherry (Leslie Grossman). Annoyed by Brooke's smug supremacy, Samantha "Sam" McPherson (Carly Pope), resident intellectual, crusading journalist-in-training, and tireless campaigner for social equality, formed her own "anti-clique," including nerdy, self-conscious Harrison John (Christopher Gorham), plain and portly Carmen Ferrara (Sara Rue), and firebrand activist Lily Esposito (Tamara Mello). Alas, the battle lines between the two factions were blurred when Sam's widowed mother, Jane (Lisa Darr), fell in love with Brooke's divorced dad, Mike (Scott Bryce), forcing the two bitter rivals to live under the same roof. Even after Jane and Mike broke up, Sam and Brooke found themselves bound together by family ties when Jane gave birth to Mike's baby. This unholy and undesired alliance served also to break down the barriers between the other members of the two cliques, resulting in some truly surprising romantic couplings and unpredictable alliances. Its title and its fan following notwithstanding, Popular was not popular enough to warrant any more than two seasons on the WB schedule. Even so, the producers obviously hoped that there'd be a last-minute reprieve for the series, as witness its final episode on May 18, 2001, which concluded with a tense cliffhanger, leaving the fates of four principal characters hanging perilously in the balance.