What Movies to watch on Plex

It's 1934, and the evil local land baron forecloses on Wilma's place, and she and her two daughters must leave and continue their life of crime. A reporter witnesses their heist of a bank, and helps them become folk legends by writing a story about them. After a time the evil land baron wants to run for governor, and Angie and her daughters kidnap his son and turn him into a gangster in order to discredit his father and his run for governor.

When a hip-hop promoter is bailed out of a hefty debt by a club owner, he becomes one of her call boys and nearly loses his life in the process.

Rare and out-of-print DVDs and Blu-rays, restored by the oldest surviving home video company in the US. Westerns, horror, film noir, silents and serials.

When farmer Evan's mare has a fine son, he promises the black stallion to his son Joe. The youngster enjoy growing up as playmates. Alas, once the good squire is buried, his mean heir, who abuses animals, turns the screws on till pa Evans is forced to leave and abandon even Black Beauty. He soon loses everything in a cards game, so the stallion ends up in the Hackenschmidt circus. Joe is desperate to get him back.

Alfred Hitchcock's Blackmail is a landmark in British cinema. Released in June 1929, it was hailed as 'the first British all-talkie film'. Characteristically, Hitchcock makes flamboyant use of the new technical and aesthetic opportunities which sound offered. But the film was also released in a silent version, and to this day some critics consider this version a superior work.

Two people (Bradford Dillman, Heather Menzies) unwittingly free a mad military scientist's (Kevin McCarthy) mutant fish near a summer camp and resort lake.

The snobbish and intellectual Professor of languages, Henry Higgins, makes a bet with his friend that he can pluck a London flower seller, Eliza Doolittle, from the gutters and pass her off as a society lady; however, he discovers that this involves dealing with a human being with ideas of her own.

This zany comedy features the celebrated Korean comic Johnny Yune (They Still Call Me Bruce) as a bumbling Bruce Lee lookalike who secretly dreams of emulating the Kung Fu king. This loveable klutz finally gets his chance when his job as an Italian chef takes him unsuspectingly into the dangerous world of the mafia.

Ginley (Albert Finney) is a nightclub bingo caller eager for a career change. On his 31st birthday, he advertises himself as a private eye in the newspaper. He dons a trench coat, and begins engaging others in rapid-fire dialogue as if he were Humphrey Bogart, or some Dashiell Hammett creation. Soon after, Ginley is phoned by a fat man, who gives him a package containing a gun, a photograph, and a large sum of money. Eventually, Ginley is investigating a case involving smuggling of weapons as well as drugs. Ginley also finds himself at odds with his unsupportive brother, who offers Ginley payment to break off his investigations. Eventually Ginley learns of his brother-in-law's involvement in the crimes at hand. Ginley faces a series of daunting tasks---solving the crimes, bringing justice to the smugglers (and a murderer), as well as maintaining his safety and sanity in the process.

A lone highway patrol officer assumes command of a skeletal police station during its final hours of operation. Outside, a silent, bloodthirsty syndicate converges on the facility following a lethal confrontation in the Los Angeles suburbs. Inside, the officer must forge an uneasy alliance with high security prisoners and the remaining administrative staff to survive the night. Silencers mask the incoming fire as the group barricades doors and windows against an unrelenting, nameless tide of attackers seeking absolute retribution.

A troupe of actors comes to town, short on funds and bedeviled by bad weather, so they can't put on shows. Kihachi is the troupe's leader. He steals off every day to visit Otsune (an ex-lover) and their son, Shinkichi, who believes his father is a long-dead civil servant. Kihachi has been paying Shinkichi's tuition, and he's now at university. Kihachi's lover, Otaka, the troupe's lead actress, learns Kihachi's secret and plots to ruin Shinkichi and humiliate Kihachi: she offers money to Otoki, the troupe's ingénue, to seduce Shinkichi. Soon the boy is head over heels, and Otoki finds herself with feelings for him. Can this end well or is tragedy at hand?

Returning to Shanghai to marry his fiancée, Chen Zhen (Bruce Lee) a student of renowned martial arts teacher Huo Yuanjia, discovers his sifu has died. During the funeral, members of a local Japanese dojo show up and insult the Chinese students. The bullying continues, with Chen fighting back, but when he discovers the truth - that his teacher was poisoned on the orders of the dojo's master - he sets off on a doomed mission of revenge.

Monica, the school's belle, feels uncertain about her feelings for her handsome high school boyfriend, Artie. As a result, she gives him the cold shoulder. After all, her hormone-driven classmate is rough and impatient; all he seems to care about is scoring with her. However, that's not gonna happen. As well-intended advice from teenage love experts complicates the situation further, Artie realises he must up his game to win over his dream girl. The plan is all very well in theory, but making it happen is another story. What will it take for Artie to convince Monica to take their relationship to the next level?

It's been two years since the Hulk has surfaced, and Dr David Bruce Banner is on the verge of curing himself of the Hulk. A device he helped create, the Gamma Transponder, will rid him of his own Gamma radiation, among other uses. Enter Don Blake, a former colleague of Banner's, who is now in possession of a mystic hammer which can summon Thor, an ancient Viking warrior. When the Gamma Transponder is nearly stolen and Banner's girlfriend is kidnapped, Banner must abandon the hope of being cured and rely on the Hulk and Thor to save the day.

A profile of Anton LaVey and the Church of Satan that he founded in San Francisco, California in the 1960s is presented through interviews with Le Vay himself, the church's congregants (including his current (i.e., second) wife), and Christian religious leaders and people who live in the neighborhood of the church along with filmed sequences of the church's services. Even though Le Vay states indirectly that the church was created as a response to the repression of traditional Christianity, the rituals of the services are actually steeped in Christian fundamentals. Despite the use of the name "Satan" and its general implications, Le Vay also states that the church is not built on evil, but rather on embracing the sins, especially those of the flesh, that are inherent within humans, as opposed to Christianity which tries to hide and suppress them. The congregants talk about what attracted them to the church, with a small subset talking about the connection to witchcraft. Religious leaders and both John Q. and Jane Q. Public talk about what they can see of the church from the outside, including if what Le Vay has created is truly both a religion and a church. Le Vay's personal life is also discussed, including what can be seen as his eccentricities in the form of Togar, his pet lion.

Danny Kaye tangles with the Japanese during World War II in this slaphappy farce, which also stars Dinah Shore and Dana Andrews. In his motion picture debut, Kaye plays a reluctant U.S. Army draftee who unwittingly saves the day for his unit. A special mix of music and mayhem, with the Goldwyn Girls.

A wounded criminal and his dying partner take refuge at a beachfront castle. The owners of the castle, a meek Englishman and his willful French wife, are initially the unwilling hosts to the criminals. Quickly, however, the relationships between the criminal, the wife, and the Englishman begin to shift in humorous and bizarre fashion.

A constant runaway is given over to the care of the state and finds herself in a remand center for girls. She is soon caught between the uncaring bureaucracy, the sometimes brutal treatment from her peers, and her own abusive family, and only one care worker sees her potential to rise above her tragic circumstances.

Four big-city girlfriends on an adventure vacation in the Florida Everglades look forward to fun and excitement in one of the world's most legendary wilds.But what begins as the annual girls getaway they'll always remember descends into a terrifying nightmare they'll never forget when they become the prey of a depraved backwater clan who know they have the girls right where they want them... alone and defenseless.Overpowered and on the run, all the friends have is each other as they're forced deeper and deeper into the Glades to face a horrifying test of courage that pushes them to the edge. And they confront just how far they must go to survive.

This Gene Autry entry was sold to the exhibitors as a "Special" (a term used about once a production season when Republic wanted to charge the exhibitors a higher fee than usual for an Autry film) and finds "Rancho Grande foreman Gene Autry more than a little distressed when he learns that the heirs of the ranch, siblings Kay, Patsy and Tom Dodge, are on their way. The young Dodges have a nation-wide reputation as wild irresponsibles, and Gene already has his hands full trying to save the ranch from foreclosure. Before his death, the late John Dodge had mortgaged the ranch in order to secure funds for a vast irrigation system which must be completed by a certain date or face foreclosure from the Citrus Valley Association. Kay and Tom Dodge show up with intentions of turning the property into a pleasure resort for their eastern society friends, and they are encouraged in this by Dodge family attorney Emory Benson, who also happens to be a heavy stockholder in the Citrus Valley Association and will profit greatly if the Dodges are unable to meet their obligations. To ensure this will happen, Benson also hires some henchies to dynamite the irrigation project. But, hey, not to worry, this isn't the first time (nor the last) that Gene has faced the problem of impudent heirs taking bad advice.

This comedy follows two codependent East Village, New York girls, Olivia and Nicole, on the verge of eviction and existential crisis. They're struggling artists, living in a Bohemian apartment. Their electricity has been turned off and they've begun an ill-advised juice fast. To top it all off, they're out of money and too "talented" to come up with the rent. To solve their problems they go to L.A. to visit Nicole's wealthy aunt, Kimberley, the host of a popular reality TV talent show. As Kimberley convinces the girls to audition, the girls struggle to maintain their friendship as Olivia begins to realize she may not be as dependent on Nicole as she once believed.

Martial-arts legend Jackie Chan presents this pulse-pounding update to his own classic thriller. Finding himself at a murder scene, bike courier Li Ziwei tries to escape, but the culprits force him off a bridge. The amnesia from his head injuries means he can't recognize the faces of his enemies, who have framed him for the crime. Now, carrying the parcel that's his only clue, and with the help of sassy hitchhiker Tong Xin, Li Ziwei must outrun killers and cops while racing to clear his name of the mysterious murder.

John Smith is an amoral gunslinger in the days of Prohibition. On the lam from his latest (unspecified) exploits, he happens upon the town of Jericho, Texas. Actually, calling Jericho a town would be too generous--it has become more like a ghost town, since two warring gangs have 'driven off all the decent folk.' Smith sees this as an opportunity to play both sides off against each other, earning himself a nice piece of change as a hired gun. Despite his strictly avowed mercenary intentions, he finds himself risking his life for his, albeit skewed, sense of honor....

Comedy legend Bob Hope plays a baby photographer who gets mixed up with gangsters in this spoof of the hardboiled detective genre. Also features horror legends Peter Lorre and Lon Chaney Jr. as two of Hope's villainous foils.