With his Springtime in Paris, long-inactive French helmer Jacques Bral both resuscitates and pays homage to the classic European caper film, crafting a small, occasionally humorous crime thriller in the mold of Rififi and Bob le flambeur, that focuses almost entirely on the aftermath of a crime in lieu of the heist itself. The film opens with thief-turned-convict Georges (Eddy Mitchell) released from prison after a five year stint, and dragged immediately back into the underworld by several nefarious pals. He teams up with fellow thief Pierrot (Sagamore Stevenin) to lift a bejeweled necklace from a safe in a private residence. The operation progresses smoothly; the aftermath turns deadly. Several in-the-know parties make the foolish decision to open their traps, which inadvertently pulls the cops in; soon after, events begin to spiral rapidly out of control. From there, Bral packs in a series of unforeseeable twists, turns, and double-crosses to keep the viewer in a permanent state of suspense. Pascale Arbillot and Pierre Santini co-star; Bral authored the original script.
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