Deeply layered with much symbolic and allegorical material, the generally non-narrative events in this film revolve around Ana (Ana Belen) a girl who has been diagnosed with a terminal case of cancer. In one scene, she is injured in a Madrid Public library when a police horse crashes through a plate glass window. The police have just been violently dealing with protestors who are objecting to the state's handling of the trials of six men accused of involvement in the death of a policeman. In another scene, a man claims he can cure her of cancer, but she must turn her mind over to him.
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