It's all but impossible not to see Adrian Lyne's film of Vladimir Nabokov's 1955 novel through a scrim of fevered controversy. But on its own merits it's really no more shocking than 1992's THE LOVER (based on the autobiographical novel by Marguerite Duras), a strikingly similar mix of soft-core imagery and pedigreed philosophy from the boudoir. Initially...read more
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