In this polemical look at a revolutionary released from prison and bent on getting back at the right-wing conservatives who got him into prison in the first place, director Romain Goupil uses a heavier hand than in his earlier, well-received film, Mourir a 30 Ans. There is a certain amount of stereotyping in the way the fascists and leftists look and act, something that may have worked against the director's portrayal of fascists in the police force, or idealized revolutionaries.
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