The National Gallery in London has flooded, and senior curator Quentin Lester has a dramatic solution. He proposes that the entire collection of priceless paintings should be removed from London and stored in an abandoned slate mine inside a Welsh mountain, as they were during the Second World War. Soon after Quentin is settled in North Wales admittedly more at home in a cave among his paintings than he is with other people he unwittingly sets in motion a series of events that wake up this sleep
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