In director Anna Maria Tato's shallow depiction of an equally shallow dalliance, Lucia (Fanny Ardant) is unavoidably delayed in meeting her husband in Greece and so decides to take a detour (both geographically and emotionally) to visit her hometown in the south of Italy. Once there, she enters into a brief, afternoon fling with a local man of smoldering looks -- and overcome by what she has done, she hits him on the head with an ashtray and escapes while he is out cold. Soon she is joined by a young girl also running away (from her First Communion celebrations), and the two proceed to hide out from the understandably vexed young man who has regained consciousness and is piqued about his post-coital experience.
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Emotions run wild in the mind of a young girl who is uprooted from her peaceful life in the Midwest and forced to move to San Francisco. Joy, Fear, Anger, Disgust and Sadness each have their own ideas about how she should handle her new surroundings. Riley's guiding emotions— Joy, Fear, Anger, Disgust and Sadness—live in Headquarters, the control centre inside Riley's mind, where they help advise her through everyday life and tries to keep things positive, but the emotions conflict on how best to navigate a new city, house and school.
When the local FBI office receives a letter from a terrorist known only as 'The Citizen', it's quickly determined that he's planning his next act at the Miss America beauty pageant. Because tough-as-nails Gracie Hart is the only female Agent at the office, she's chosen to go undercover as the contestant from New Jersey.
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A successful lawyer returns to his small hometown to defend his father, a local judge, against a murder charge. As the trial commences, the urbane counselor slowly begins to reconnect with his roots.