What Movies to Watch Right Now

With the worst track record for penalties in the world, Gareth Southgate knows he needs to open his mind and face up to the years of hurt, to take team and country back to the promised land.

The funniest moments of legendary comedy duo Bud Abbott and Lou Costello are captured in this choice collection of theatrical trailers, hit sketches, movie clips and hilarious outtakes. One of the biggest acts of the 1940s and '50s, Abbott and Costello kept audiences in stitches in a long string of films, many of which are excerpted here, including Abbott and Costello Meet Frankenstein and Abbott and Costello Meet the Killer, Boris Karloff.

Francois Truffaut in conversation in 1977 with Richard Roud, then Director of the New York Film Festival. Truffaut, director of "Jules and Jim," "The Four Hundred Blows," " Bed and Board," "The Story of Adele H.," etc. was in America for the premier of "The Man Who Loved Women" at the 15th New York Film Festival. It was Truffaut's first US television appearance. The conversation is in French, with voice-over translations. A French-only version also exists. Mr. Roud gives a brief biography of Truffaut and his career. This footage includes clips from several Truffaut films, including his first, "Les Miston" ("The Mischief Makers", 1958.) The film director speaks of his childhood, the moral challenge of World War Two, the real meaning of the "auteur theory", how the conservative French film industry was forced to change, Truffaut as a "culture hero" in the US, making a film that is as personal as a novel, the difference between French and American approaches to cinema, individual films seen in the totality of one's work, gaining understanding and sympathy for a character in a film, Alfred Hitchcock's relationship to his characters, plot and story-telling, and many other themes.

Oprah Winfrey converses with Riley Keough, Elvis Presley's granddaughter, about her life, mother Lisa Marie's journey, and the famous Presley family's legacy

In these in-depth discussions, some of today's most successful screenwriters share their work habits, methods and inspirations, secrets of the trade, and eye-opening stories from life in the trenches of the film business. It's powerful knowledge straight from the source.

Stefan Molyneux's caller is Brian, whose life has been aimless since the (still-unsolved) murder of his mother.

A compilation of on-set movie blunders and foul-ups, from 1941 to 1947.

Actor Jeremy Renner opens up about the painful details of his snowplow accident, his hospitalization, and recovery.

Academy Award-winning actor Alan Arkin joins Robert Osborne at the 2014 TCM Classic Film Festival. Their hour-long discussion covers Arkin's varied life and career, from his childhood ambitions to his days in a Caribbean folk trio, his time with Chicago's Second City improv comedy troupe, his successes on Broadway as an actor and director, and his long Hollywood film career, from his Oscar-nominated debut in THE RUSSIANS ARE COMING THE RUSSIANS ARE COMING (1966) to his Oscar-nominated performance in ARGO (2012), highlighted by his Oscar win for LITTLE MISS SUNSHINE (2006). Arkin explains his preference for film acting over the monotony of stage acting and shares his philosophies on his profession.

Comedian and history buff Al Murray is joined by former director of MI5 Dame Stella Rimington, political comedian Matt Forde and film expert Matthew Sweet for a fresh look at the great British spy movie. This round-table discussion looks at the films themselves - not to mention the spies that star in them - and uses them as a lens on the British people, our fear of the world and our changing views of espionage over the decades. As well as discussing the inevitable moral ambiguity, the limited female roles and general distrust of the intelligence community, we also find out what Dame Stella Rimington, the real M, actually thinks about James Bond, what you really say at a party when someone inevitably asks what you do, the spy gadget she'd really like to get her hands on, and the film that was genuinely used as a training movie when she first joined the service.