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48 Episodes 1994 - 1995
Episode 1
Sat, Sep 10, 1994

Episode 2
Wed, Jan 26, 1994
Gene Siskel and Roger Ebert try to figure out what has made Forrest Gump (1994) such a surprise success. Gene Siskel first points out that Tom Hanks is coming off three big successes in a row: A League of Their Own (1992), Sleepless in Seattle (1993) and Philadelphia (1993). He goes on to say that the movie is almost a religious experience for American audiences who haven't come to grips with the last thirty years in their tumultuous history. It works like a bedtime story or a parable. Ebert points out the brilliant device of having the title character narrate the story from a park bench. He says the technique of the narrator who knows less than we do dates back to Mark Twain and reminds him especially of Andy Griffith's comedy album, "What It Was, Was Football". He credits the amazing special effects that add Gump to historical footage. Siskel credits the writers, especially their technique of adding a joke at just the right moment. The critics examine the early career of Tom Hanks and then spotlight the fables, such as Splash (1984). Ebert's video recommendation for those who like "Forrest Gump" is Born on the Fourth of July (1989). Siskel's is Being There (1979).

Episode 3
Sat, Sep 24, 1994

Episode 4
Sat, Oct 1, 1994

Episode 5
Sat, Oct 8, 1994
Siskel and Ebert review three new movies, and also look at Quentin Tarantino's directing, writing, and acting filmography so far. Plus, Gene Siskel interviews Robert Redford.

Episode 6
Sat, Oct 15, 1994
Episode 7
Sat, Oct 22, 1994

Episode 8
Sat, Oct 29, 1994

Episode 9
Sat, Nov 5, 1994

Episode 10
Sat, Nov 12, 1994

Episode 11
Sat, Nov 19, 1994

Episode 12
Sat, Nov 26, 1994

Episode 13
Sat, Dec 3, 1994

Episode 14
Sat, Dec 10, 1994

Episode 15
Sat, Dec 17, 1994

Episode 16
Sat, Dec 24, 1994

Episode 17
Sat, Dec 31, 1994

Episode 18
Sat, Jan 7, 1995
Siskel and Ebert choose their worst films of 1994. Among the categories is worst comedy, where Ebert chooses Milk Money and Exit to Eden, and films where actors play multiple roles with Being Human (starring Robin Williams in multiple roles), and Trading Mom (starring Sissy Spacek in multiple roles). Other picks include Silent Tongue, Even Cowgirls Get the Blues, On Deadly Ground, Rapa Nui, Clifford, Cops and Robbersons, City Slickers II: The Legend of Curly's Gold, and Wagons East. Finally they announce their worst films of the year, with both Siskel and Ebert choosing North.

Episode 19
Sat, Jan 14, 1995

Episode 20
Sat, Jan 21, 1995

Episode 21
Sat, Jan 28, 1995
Episode 22
Sat, Feb 4, 1995
Gene Siskel and Roger Ebert review four new films. Also, Ebert reports from the 1995 Sundance Film Festival.

Episode 23
Sat, Feb 11, 1995
In addition to reviewing four new movies, Siskel and Ebert interview various actors on what they think can improve Hollywood movies.

Episode 24
Sat, Feb 18, 1995
In addition to reviewing four new movies, Siskel and Ebert react to the year's Oscar nominations.

Episode 25
Sat, Feb 25, 1995

Episode 26
Sat, Mar 4, 1995
Episode 27
Sat, Mar 18, 1995

Episode 28
Sat, Mar 25, 1995
Episode 29
Sat, Apr 1, 1995
Episode 30
Sat, Apr 8, 1995
Episode 31
Sat, Apr 22, 1995

Episode 32
Sat, Apr 29, 1995
Episode 33
Sat, May 6, 1995
Episode 34
Sat, May 13, 1995
Gene Siskel and Roger Ebert review Crimson Tide (1995), A Little Princess (1995), The Perez Family (1995), The Englishman Who Went Up a Hill But Came Down a Mountain (1995) and Swimming with Sharks (1994).

Episode 35
Sat, May 20, 1995

Episode 36
Sat, May 27, 1995

Episode 37
Sat, Jun 3, 1995
In this special episode, Siskel and Ebert examine whether Quentin Tarantino, director of "Reservoir Dogs" and "Pulp Fiction", is a lasting director or just the flavor-of-the-month. Gene Siskel also interviews Samuel L. Jackson.

Episode 38
Sat, Jun 10, 1995
In addition to review four new movies, Gene Siskel and Roger Ebert criticize Bob Dole's attack on Hollywood movies.

Episode 39
Sat, Jun 17, 1995
The critics gave a split vote on Batman Forever-Gene Siskel gave a thumbs up for good characters in a forgettable script. They gave two thumbs up for the rest of the films: The Incredibly True Adventure of 2 Girls in Love and Smoke and Safe. They then recommended renting Little Women (1994) on VHS.

Episode 40
Sat, Jun 24, 1995
In this special episode, Siskel and Ebert highlight ten family-friendly films in the wake of criticisms against offensive content in Hollywood movies.
Episode 41
Sat, Jul 1, 1995

Episode 42
Sat, Jul 8, 1995

Episode 43
Sat, Jul 15, 1995
Gene Siskel and Roger Ebert review five new movies. Neither critic likes Nine Months (1995), the predictable comedy with Hugh Grant, although they disagree on what they dislike about it. Ebert especially disagrees with Siskel that the recent scandal involving Grant has any relevance to the picture. A split vote on The Indian in the Cupboard (1995): Siskel found it to be an engaging fantasy film for kids; Ebert found it creepy. Both critics enjoyed Steven Seagal's new action picture, Under Siege 2: Dark Territory (1995). Mindless, they say, but fun. Their next film, Kids (1995), is the harrowing drama about aimless and self-destructive teenagers that is so real it feels like a documentary. Two thumbs up. Last is the French comedy, Dead Tired (1994), about the perils of celebrity. Siskel enjoyed it; Ebert didn't. For the Video Pick of the Week, Ebert chooses "The Cavalcade of MGM Stars," a laser disc release of 34 classic short subjects.

Episode 44
Sat, Jul 22, 1995

Episode 45
Sat, Jul 29, 1995
Episode 46
Sat, Aug 5, 1995
Episode 47
Sat, Aug 12, 1995
Gene Siskel and Roger Ebert examine movie villains. Siskel begins by spotlighting some recent movie villains, who are often more sophisticated and charming than the heroes. Ebert takes a look at the entire history of movie villains from The Great Train Robbery (1903) to Chinatown (1974). Next, Ebert looks at how political correctness influences who the villains are. The American Indians, the Japanese, the Vietnamese and the Russians have always been safe villains, but that has changed or is changing. Eternal villains include Nazis, Arabs, political assassins and, safest of all, those of unspecific nationality. What makes a good villain? They should be intelligent, well-mannered and enjoy being evil. Charming, funny and weird are also good qualities. The critics also discuss antiheroes, who provide a means of questioning who the bad guys really are. Women villains were once ugly (e.g. Lotte Lenya in From Russia with Love (1963)); now they're bombshells like Sharon Stone in Basic Instinct (1992). Siskel's favorite villain: HAL-9000 from 2001: A Space Odyssey (1968); Ebert's is Harry Lime from The Third Man (1949).

Episode 48
Sat, Aug 26, 1995