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4 Episodes 2016 - 2016
Episode 1
Fri, Sep 16, 201656 mins
Chicago is a city rooted in industry and towering architecture, and artists in Chicago are disrupting urban experience through experimentation.

Episode 2
Fri, Sep 16, 201656 mins
Damián Ortega (b.1967, Mexico City, Mexico) uses objects from his everyday life-Volkswagen Beetle cars, Day of the Dead posters, locally sourced corn tortillas-to make spectacular sculptures, which suggest stories of both mythic import and cosmological scale. Pedro Reyes (b.1972, Mexico City, Mexico) designs ongoing projects that propose playful solutions to urgent social problems. From turning guns into musical instruments, to hosting a People's United Nations to address pressing concerns, to offering ecologically friendly grasshopper burgers from a food cart, Reyes transforms existing problems into ideas for a better world. Minerva Cuevas (b.1975, Mexico City, Mexico) is a conceptual and socially-engaged artist who creates sculptural installations and paintings in response to politically charged events such as the tension between world starvation and capitalistic excess. Cuevas documents community protests in a cartography of resistance while also creating mini-sabotages-altering grocery store bar codes and manufacturing student identity cards-as part of her Better Life Corporation. Natalia Almada (b.1974, Mexico City, Mexico), the great granddaughter of Mexico's controversial 40th president, Plutarco Elías Calles, makes intimate films that delve into the tragedies of her Mexican-American family's personal history as well as the Sinaloa region's violent present.

Episode 3
Fri, Sep 23, 201656 mins
Diana Thater (b.1962, San Francisco, CA, USA) makes video installations that poetically grapple with threats to the natural world. She is filmed preparing for her monumental exhibition, The Sympathetic Imagination, at the Los Angeles County Museum of Art. Liz Larner (b.1960, Sacramento, CA, USA) experiments with abstract sculptural forms in a dizzying array of materials, including polychromatic ceramics that evoke the tectonic geologic shifts of the western landscape. Tala Madani (b.1981, Tehran, Iran) skewers stereotypes in her sharply satirical paintings that evoke clashes of culture: men and women, the rational and the absurd, Western and non-Western. And Edgar Arceneaux (b.1972, Los Angeles, CA) investigates historical patterns through drawings, installations, and multimedia events, such as the reenactment of Ben Vereen's tragically misunderstood blackface performance at Ronald Reagan's 1981 Inaugural Gala.

Episode 4
Fri, Sep 23, 201656 mins
Liz Magor (b.1948, Winnipeg, MB, Canada) makes uncannily realistic casts of humble objects-gloves, cardboard boxes, cigarettes-that speak to mortality and local histories. Through complex video installations, photos, theatrical productions, and virtual reality simulations, Stan Douglas (b.1960, Vancouver, BC, Canada) reenacts historical moments of tension that connect the history of Vancouver to broader social movements of struggle and utopian aspiration. Brian Jungen (b.1970, Fort St. John, BC, Canada) draws from his family's ranching and hunting background, as well as his Dane-zaa heritage, when disassembling and recombining consumer goods into whimsical sculptures. Attentive to the accidental encounters that can inspire an image, photographer Jeff Wall (b.1946, Vancouver, BC, Canada) recreates flashes of inspiration by building sets and repeatedly photographing gestures until they coalesce into a picture that's printed on a grand scale.
