Portrait of Hell

A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager.

Katie marries her first boy friend and at first they are very happy together. But when their first son arrives he becomes nasty being jealous about the boy, beating her and hanging around with friends all day leaving all the work to her. When their second child is on its way things get even worse, so that Katie decides to leave the house; but when she packs her suitcase the conflict climaxes to him getting shot. A trial is about to find out what happened...

Fetish camboy Aaron Eagle agrees to spend the night with an anonymous client, only to discover a disturbing tie to his past.

The dramatized 'true' story of nurse Melanie McGuire, whose ire with husband Bill leads first to an affair, then to Bills' murder, and her heinous, macabre treatment of his remains are a shock to the community and her family, at her trial.

The wives of New York gangsters in Hell's Kitchen in the 1970s continue to operate their husbands' rackets after they're locked up in prison.

While he's out fishing with his Mennonite friend Jeremiah Peters on the morning of 2 June, Amish Eli Weaver receives a message via a call to Jeremiah's cell phone that Eli's wife, 29-year-old Barbara Weaver, has been found shot dead in their bed. While the Amish elders want to deal with the issue solely within their community, the Wayne County Sheriff's Department is forced to investigate in the murder having taken place in their jurisdiction, the two investigators being Detectives Bruce London and Mike Maxwell. What is subsequently shown is the current investigation interspersed with flashbacks of Eli and Barbara's life, which Eli admits to the investigators was not always perfect. Those flashbacks show that prior to their marriage, Barbara wanted to marry for romantic love, which is not the Amish way. Eli seemingly wanted the same; he was the black sheep of his family in not always adhering to Amish strictures. London and Maxwell have their theories of who the murderer is; they suspect Eli, who isn't reacting like a typical grieving husband and father, but they know they'll have problems finding evidence because the Amish Eli will have no digital footprint; and the community's sole telephone is a public one for emergencies, usable by anyone. They hope that the unofficial traditional Amish communication network, rampant gossip, will provide some clues. They find that some talk emerges in the form of a collection of women not in the community who were a part of Eli's secret life as the Amish Stud.