An essay-like, non-linear cinematic exploration of the Philippines and wider Third World realities. Prompted by Schroeter's attendance at the 1983 Manila Film Festival, the film weaves together documentary footage, dramatized scenes, interviews, news clips, and cultural material to reflect on the nation's myths, rituals, colonial history, and political contradictions. Central motifs include a wooden star symbolizing harmony and peace, and a striking contrast between the festival's glamorous official presentations and the harsh poverty and social tensions experienced by ordinary Filipinos. Through its montage structure, the film critically examines western influence, traditional life, cultural identity, and the struggles of a society on the brink of upheaval.