They've got game on the court — but what about on TV? Several current and past NBA stars are taking a shot at producing, often with shows that were inspired by their own lives.
Many of them have even formed production companies, with an eye toward making Hollywood more of a full-time gig once they're pooped on hoops. Recently returned Cleveland Cavaliers star LeBron James is leading the charge, as one of the executive producers on the new Starz comedy...
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Question: I thought this might be the year when The Walking Dead would finally be represented among the Emmy nominations, at the very least for Melissa McBride as supporting actress for last season's devastating "The Grove" episode. But the noms came and went with nary a Dead mention. I thought this show was among the most-watched basic cable shows, often posting numbers to rival some of the highest-rated broadcast programs every week. I know that its genre is already one strike against it, but is this show also a victim of its own success regarding recognition, where the more popular a show is, the more it provokes attitudes from voters that "normal" people might see as snobbish or anti-populist? While it's true that the dispersal of everybody into smaller groups during the second half of last season was seen as less than successful, and the quality this season appears to have roared back with a vengeance, I'm still thinking there will probably be no difference next year, recognition-wise.
If last season (and the last parts of the season before) left you wanting to run away from Showtime's Homeland, the good news is that it's safe to come back. The show may never again achieve the intensely suspenseful and emotional heights of year one, with its psychosexual tango between Carrie and the enigmatic war hero/possible terrorist tool Brody, and I'm still not convinced that basket-case analyst Carrie Mathison (Claire Danes) should be posted anywhere hotter than Antarctica. But this Emmy-winning international spy thriller suddenly feels much more topical and urgent again in its fourth season, where the only remaining remnant of the Brody storyline is the infant daughter — a ginger baby, naturally (hauntingly Damian Lewis in aspect) — whom Carrie bore after witnessing the father's cruel fate.