In anticipation of Hollywood's biggest night, TV Guide Network will celebrate the Academy Awards by looking back at the legendary fashions worn by film stars from the 1950s to today.
With insight from fashion experts Bob Mackie, Philip Bloch and Nick Verreos, Academy Awards: Iconic Stars, Legendary Fashions will show how important it is for designers to get A-list stars to wear their creations. (Had you heard of Elie Saab before Halle Berry wore this knockout gown?)
Check out photos of the 2010 Oscars red carpet arrivals
The one-hour special will also highlight...read more
You could get vertigo tonight, scaling the heights of the finale of Mad Men on AMC, and then plumbing the depths of the tone-deaf misfire that is Viva Laughlin, premiering on CBS in the plum slot after CSI before moving to Sundays. There, only those with the most morbid curiosity to watch a show’s slow yet hopefully quick death are likely to follow (unless every critic I know is totally off the mark).First, a salute to the best and most fascinating new show to arrive on TV this year (and I’m even including my quirky new treasure Pushing Daisies in that equation). Mad Men, so hypnotic in its look and style as it recreates a classic movie-worthy image of 1960 Manhattan, is a period piece that says volumes about today, or about any era in which salary and status is tied to self-worth and where people construct a false reality to sell themselves on the American dream.Don Draper (instant star Jon Hamm) would seem to have it all. Besides the movie-star looks, he enjoys upward mo...read more
Favorite line on any show I've seen all week: "Peggy, this isn't China. There's no money in virginity." That's Joan talking, the sexiest secretary in all of '60s New York advertising, once again stealing a scene in AMC's dazzling Mad Men with aplomb. Christina Hendricks, I salute you.It was another intensely enjoyable episode this week, which also grew my estimation for the performance of January Jones (what a name) as Don Draper’s quietly simmering, drop-dead-gorgeous Grace Kelly look-alike wife, Betty. How happy was she when, at intermission at Broadway’s Fiorello!, the ad guy wooing Don to jump agencies to the big time offered her a chance to get back into modeling (with the pause that refreshes). How fooled were we that this was just another ploy to lure Don away from “the tiny store” of Sterling Cooper? Not very. And neither was Don fooled. Betty, however? Very fooled. And very crushed when the opportunity vanishes once Don turns them down.Who can blame her ...read more