Eleanor David

The story of THE WALL is told simply with the music of Pink Floyd, images and natural effects. There is no conventional dialogue to progress the narrative. Our story is about Pink, a Rock and Roll performer, who sits locked in a hotel room, somewhere in Los Angeles. Too many shows, too much dope, too much applause: a burned out case. On the TV, an all too familiar war film flickers on the screen. We shuffle time and place, reality and nightmare as we venture into Pink’s painful memories, each one a “brick” in the wall he has gradually built around his feelings. Slowly he withdraws from the real world and slips further into his nightmare as he imagines himself as an unfeeling demagogue, for whom all that is left is the demonstration of power over his unthinking audience, the culmination of the odious excess of his own world and the world around him. His internal self trail follows, as the witnesses of his past life, the very people who have contributed to the building of the wall, come forward and testify against him.

For twenty years they shared something stronger than friendship and closer than love, yet they never met. A true story based on the bestselling novel by Helen Hanff.

Oscar-winning, kaleidoscopic, energetic portrait of Victorian-era musical playwrights Gilbert and Sullivan as they struggle to create their masterpiece, 'The Mikado.'

Academy Award-winning superstar Clint Eastwood ("Million Dollar Baby," "Unforgiven") stars as a brilliant, flamboyant and erratic film director who becomes obsessed with hunting a majestic African elephant while preparing to film a movie in Africa. Gannett News Service gave this film four stars, calling it a "masterful work...a wonderfully entertaining, robust and fascinating film...Clint Eastwood's most daring and successful performance as an actor...superb entertainment." Loosely based on the writer's experiences with director John Huston while shooting the classic, "The African Queen," the movie also stars rising young actor Jeff Fahey ("Lawnmower Man," "Wyatt Earp") and Marisa Berenson ("Barry Lyndon"). Co-written by James Bridges ("Urban Cowboy," "The China Syndrome") and directed by Eastwood.