We return with our weekly Game of Thrones discussion to tackle the second episode, "The Kingsroad."
TVGuide.com's Hanh Nguyen is an avid scripted-TV watcher, a horror-avoider and someone who's read George R. R. Martin's A Song of Ice and Fire book series, on which HBO's Game of Thrones is based. Her co-worker, Rich Juzwiak, rarely watches scripted TV, is a gorehound and became alerted to Martin's existence just recently, as he started researching this new swords-and-sandals (well, boots) series. He knows nothing of these sorcerers (if that is indeed what they are), while Hanh is something of an expert (read: fantasy/sci fi nerd). Each week, he'll try to make sense of this crazy new show by enlisting Hanh's expertise. It may turn out to be a test of tolerance: in this case, the Games begin after the TV is off.
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Question Back when I was a young lad mid- to late 1960s WWOR-TV in NYC used to run something called Million Dollar Movie They would play the same movie for the entire week I remember one movie that was based on the opera Carmen At the time of course I didnt know the movie was based on the opera I dont remember seeing it since then I only remember the last scene The male lead dragoon is about to be shot when the female lead Carmen I think gets in front of him and gets shot instead She dies in his arms and he dies shortly afterwards from an earlier injury then theres a rush of dragoons into the bandits hideout and the movie ends I thought it was the Rita Hayworth and Glenn Ford version of Carmen but when I saw that a few years ago it wasnt the one I remembered There have been several movies based on Carmen and I couldnt even tell you if the movie was foreign and dubbed If you have any idea about the movie an
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Send your movie questions to FlickChickQuestion Why isnt Owen Wilsons name in the credits of Night at the Museum Is he ashamed of being in it SueFlickChick Owen Wilson is a good friend of Ben Stiller star of Night at the Museum He agreed to do an unbilled cameo in his friends film Actors will often go uncredited when theyre doing a tiny part because theres no way that can get the billing they would normally be accorded For a quick overview of the politics of billing please check out this FlickChick columnfrom 2005 In any event during test screenings Wilsons character a miniature cowboy tested so well with audiences that the filmmakers went back and scraped together enough footage to expand his part into a real role The absence of credit has nothing to do with shame or embarrassment the average actor has neither anyway Send your movie questions to FlickChickQuestion I cant believe I found your site its great Heres my que
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Send your movie questions to FlickChickThis weeks DVD Tuesday pick is Suspiria and its dedicated to the one I love the filmmaker I love I hasten to clarify And that would be Italian master of the macabre Dario Argento who changed my life I wrote my masters thesis about his films and it later became my first published book The book Broken MirrorsBroken Minds The Dark Dreams of Dario Argento in turn established my reputation as the thinking fans horror expert and it has inspired remarkable devotion in the most unexpected of quarters I was thinking about Argento recently as I read about onetime actressformer Italian first lady Veronica Lario Berlusconi whom I first saw in Argentos Tenebrae Berlusconi recently took her husband to task for his wandering eye in an open letter published in the newspaper La Repubblica If her dignity as a woman withstood on-screen death by arterial spray Im sure shell survive her husbands relentless flirting Argento is at the
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My fellow horror fiends, I apologize for the late posting. Between my city’s first-ever-in-history blizzard last week and a trip to the ER (I’m fine now, no worries), I’ve been a bit behind. While recovering over the past weekend and attempting to stay warm, Dario Argento’s fur-fringed Masters of Horror episode, Pelts, seemed a fitting theme.I haven’t held back from admitting that so far, I’ve been underwhelmed and disappointed with Masters of Horror this season. Knowing that Italy’s horror maestro Dario Argento was up next, I still had some hope for the rest of the season, yet I also cringed because I wasn’t too fond of his season 1 episode, Jenifer. One of the main reasons I didn’t like Jenifer was that Argento departed from his trademark style to try a grittier perspective, and I just didn’t feel that it worked. The Showtime website synopsis for Pelts did indicate that Argento would be returning to his legendary vividly colored, o...
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