Sally Potter began writing her fourth feature film on Sept. 12, 2001, facing the same quandary that stifled other artists: What could she say in the aftermath of a trauma sure to deepen the rift between the West and the Arab world? Potter followed the lead of Alain Resnais, whose HIROSHIMA, MON AMOUR (1960) explored post-traumatic tensions between East more

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Director (1 Credit)
Writer (1 Credit)
Producer (2 Credits)
Andrew Fierberg
Christopher Sheppard
Exec. Producer (4 Credits)
Cedric Jeanson
John Penotti
Assoc. Producer (2 Credits)
Diane Gelon
Lucie Wenigerova
Cinematographer (1 Credit)
Alexei Rodionov
Editor (1 Credit)
Musical Composer (7 Credits)
Production Designer (1 Credit)
Carlos Conti
Art Director (1 Credit)
Claire Spooner
Costumes (1 Credit)
Jacqueline Durran
Casting (1 Credit)
Irene Lamb
Sound (2 Credits)
Jean-Paul Mugel
Vincent Tulli
Make Up (1 Credit)
Chantal Leothier

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