TONI has often been called the first "neorealist" film, preceding Luchino Visconti's OSSESSIONE by seven years; since the Italian director was one of Jean Renoir's assistants on the project, its influence on his work seems clear. Basing his film on police files dealing with an incident that occurred in the small town of Les Martigues, Renoir, seeking authenticity,...read more
Suzanne de Troeye
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