To The Death

Action films are always driven by the logic of revenge, but the more resourceful films manage to play the conventions with a few variations. In TO THE DEATH, the only audience tease lies in guessing how long it will take the battered hero to figure out he's blaming the wrong man. It's a sort of negative suspense which makes our identification-figure more

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Noah Centineo and Lana Condor, <em>To All The Boys: P.S. I Still Love You</em>
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