To Die For

Like Roseanne, Gus Van Sant refuses to compromise his trademark smarty-pants assault on storybook America. An openly gay filmmaker, he loves to tweak the condescending rhetoric of patriarchy -- he did so effortlessly in MALA NOCHE and DRUGSTORE COWBOY, laboriously in MY OWN PRIVATE IDAHO and lugubriously in EVEN COWGIRLS GET THE BLUES. This time out, more

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