Since Otar Left

Despite the obvious differences, documentary filmmaker Jule Bertuccelli's wonderful first feature bears a striking resemblance to Wolfgang Becker's GOOD BYE, LENIN! (2003): Both use the deception of an aging mother who pines for the good old days to express post-Soviet attitudes. Here the locale is Georgia, specifically the beleaguered capital city of Tblisi, more

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Director (1 Credit)
Writer (3 Credits)
Bernard Renucci
Roger Bohbot
Exec. Producer (1 Credit)
Yael Fogiel
Co-Producer (1 Credit)
Diana Elbaum
Assoc. Producer (1 Credit)
Laetitia Gonzalez
Cinematographer (1 Credit)
Christophe Pollock
Editor (1 Credit)
Olivier Goinard
Production Designer (1 Credit)
Emmanuel de Chauvigny
Costumes (1 Credit)
Nathalie Raoul
Casting (1 Credit)
Stephane Batut
Sound (2 Credits)
Henri Pollock
Tomas Gauder
Make Up (1 Credit)
Mzia Kentchiachvili

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