Dynamite Chicken

  • 1971
  • 1 HR 12 MIN
  • R
  • Comedy, Documentary

According to its opening titles, DYNAMITE CHICKEN is "A contemporary probe and commentary on the mores and maladies of our age, with schtick, bits, pieces, girls, some hamburger, a little hair, a lady, some fellas, some religious stuff, and a lot of other things." That's as good a way as any to describe this chaotic, rambling montage featuring contributions...read more

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According to its opening titles, DYNAMITE CHICKEN is "A contemporary probe and commentary on the mores and maladies of our age, with schtick, bits, pieces, girls, some hamburger, a little hair, a lady, some fellas, some religious stuff, and a lot of other things." That's as good a way as

any to describe this chaotic, rambling montage featuring contributions from many of the movers and shakers of the peace and love generation of the late 1960s.

The film opens with comedian Richard Pryor talking to the camera in an urban schoolyard. He provides the film with whatever focus it has, popping up every few minutes to talk about some topic or other. DYNAMITE CHICKEN features interviews, skits by the comedy troupe the Ace Trucking Company,

poems, man on the street interviews, a lot of old film clips, and even more photographs, all edited together at such a breakneck pace that it's hard to keep your mind focused in any one direction for very long. (Many of the performers listed in the opening credits appear only in songs on the

soundtrack, none of which are played in their entirety and few of which last more than a few seconds. Viewers expecting to see, for instance, the Velvet Underground, whose name appears in the opening credits, will be disappointed.)

Among those who manage to make themselves heard above the din: Sha Na Na perform music from the 1950s; Paul Krassner talks about the different kinds of violence and other political issues; Al Goldstein and Jim Buckley discuss their then-new magazine Screw; Michael O'Donoghue reads a funny bit

about a stripping nun; Tuli Kupferberg performs a bit of guerrilla theater with his group, the Revolting Theater; Marshall Efron applies a policeman's truncheon to a melon to show what can happen to a protester's head; John Lennon and Yoko Ono explain the point of their infamous "bed-in." Also

seen, but to less clear purpose, are Andy Warhol, Ondine, Ron Carey, Joan Baez, Peter Max, and Al Kooper.

DYNAMITE CHICKEN could only be appreciated by a viewer who lived though the late 1960s, when a more experimental culture encouraged films like this. It's certainly energetic, and even cheerful in its rush to impart a message. It just doesn't seem to know what that message is, other than "We good,

they bad." As put together by Ernie Pintoff, Oscar-winning creator of the short film "The Critic," DYNAMITE CHICKEN is eventually wearying in the way it cuts away from virtually everything it presents before anything can make an impact on the viewer; it's like an overlong commercial for a terrific

miniseries about America in the 1960s. If only we could see that miniseries instead.... (Nudity, sexual situations, adult situations, substance abuse, profanity.)

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