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This gripping crime caper has Stevens hunting for Kennedy, who supposedly framed him and killed his wife and kid. After spending three years in San Quentin, Stevens, disfigured from the auto explosion that killed his family, follows Kennedy's trail to Alaska. Kennedy, now a respected businessman, turns out to be innocent. The real baddie again tries to frame Stevens by hiring Homeier to kill Kennedy. Thanks to a tipoff from Vohs, Stevens is saved from a second frameup. The slick score from Dunlap matches the frenetic pace set by Stevens in his role as director and by editor Veron.