Nerds rejoice. The Big Bang Theory and American Horror Story: Asylum led the way with six Critics' Choice Television Awards nominations each. The nominations were announced Wednesday morning.
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Annet Mahendru and Alison Wright have been promoted to series regulars for Season 2 of The Americans, FX announced Tuesday.
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Question: Looking at the Best Drama shortlist from last year as an example, do you think many of the usual suspects like Mad Men and Breaking Bad may have their best days behind them (maybe not so much objectively as much as in short-attentioned minds of many voters), along with Homeland seeming to have edged ever-so-slightly into ludicrousness (get pacemaker serial number and induce heart attack, all without Chloe opening a socket), Downton Abbey now having a "perennial obligatory nominee" vibe, and Boardwalk Empire maybe not even deserving to make the final cut anymore, could this be the year that Game of Thrones finally breaks out of the fantasy ghetto and gets enough votes to have its name called when the big envelope is opened?
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[Warning: This story contains major spoilers from Wednesday's season finale of The Americans. Read at your own risk!]
Wednesday's season finale of The Americans left viewers on the edge of their seat as Elizabeth (Keri Russell), not Phillip (Matthew Rhys), walked into a trap set up by the FBI that would've resulted in a striking blow to the KGB.
Believing the meeting with a possible intelligence asset is actually an FBI setup, Phillip...
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It's May Day (as in: mayday!) for the Russian spies — and just about everyone else — in the taut first-season finale of FX's emotionally engrossing The Americans (Wednesday, 10/9c). Chivalry is not dead, even in the estranged not-quite-marriage of embedded KGB operatives Philip and Elizabeth Jennings (Matthew Rhys and Keri Russell), as they prepare for a dangerous mission that could be a set-up, with lots of jockeying and posturing between husband (who wants to protect while serving) and wife (who's adamant about following orders to the letter) about who's going to risk everything, including their "normal" family life, to walk into what might be a trap.
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