Jimmy Fallon and Diane Keaton
Our top moments of the week:
12. Worst Sleepover: When Marcus' dad, Hugh, comes to town on About a Boy, he crashes at Will's place. Unfortunately, Hugh is a "hot sleeper," so he insists on slumbering in the nude and later sneaks to Will's bed when the couch isn't up to snuff. When a sudden knock at the door wakes them, Will finds himself and Hugh fully spooning with some unconscious caressing thrown in for...
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Question: I've been enjoying the insights into the early Hannibal Lecter and Norman Bates on Hannibal and Bates Motel. I know that both shows are just based on the original works and can certainly invent stories for the characters. However, I expect the TV series to at least honor the future stories that we're so familiar with. What I mean: Bates Motel is terrific at bringing young Norman along where we can understand the Norman in Psycho and how he got that way. The taxidermy and now the blackouts are both critical, as is the relationship with Mother. However, I was very upset that they killed off Dr. Chilton in Hannibal since he is an important character in the novels. We can accept that what we see in Jack, Will, Bloom, Lounds, etc. are consistent (genders aside) with what we see later in Red Dragon and Silence of the Lambs. But now, there is no place for Chilton in the future stories. Am I out of line and the only one who has complained? — Jerome
In just a few brief scenes, Mad Men's Lou Avery has become one of the most hated characters on TV.
After taking over as Sterling Cooper & Partners' creative director in the wake of Don Draper's meltdown and suspension, Lou (Allan Havey), quickly made his presence felt. Although Lou isn't bogged down by a host of personal problems like Don (Jon Hamm) is, he's a bit of a square and lacks Don's creative spark, which almost instantly put him at odds with Draper protégé Peggy (Elisabeth Moss). Making matters worse...
Chris Pratt, Adam Scott, Amy Poehler
[WARNING: This story contains major spoilers from Thursday's season finale of Parks and Recreation. Read at your own risk!]
Parks and Recreation has become very adept at surprise storytelling. Case in point: Thursday's season finale jumped ahead three years to find Leslie Knope (Amy Poehler) working in the National Parks office, which had moved to Pawnee City Hall's vacant and refurbished third floor.
Get the hot scoop on 39 must-watch season finales
The final minute of the finale disoriented viewers — and not just because Leslie Knope had bangs. Our small-town bureaucrat had turned into a fast-paced boss dealing with some sort of media lockdown, canceling a trip to South Dakota and firing an employee named Ed (Mad Men's Jon Hamm) who was even more inept than Jerry Terry (Jim O'Heir). Leslie also had a group of people waiting for her downstairs in Ben's (Adam Scott) office to discuss something so important that the parents of three were willing to be late to Ben's big night — all mysteries which were set up for the upcoming seventh and likely final season of the NBC comedy.
What does this all mean for the show? TVGuide.com caught up with executive producer Mike Schur to get the scoop:
Porsha Stewart, Cynthia Bailey and Kenya Moore
Our top moments of the week:
13. Worst Melodrama: It's midway through Dancing with the Stars, and that means it's time for the annual Maks temper tantrum. Still burned by Julianne Hough's "phoning it in" comment and feeling the pressure to deliver for Meryl Davis, Maks comes thisclose to blowing a gasket, but is talked off the ledge by Meryl, who tells him to hold her hand. "It's really crazy. I must be the weakest freaking person in this ...
Justin Bieber, Jon Hamm
Jon Hamm thinks someone needs to smack some sense into Justin Bieber.
In an interview with Men's Fitness, the Mad Men star doesn't hold back on criticizing the 20-year-old singer and other privileged members of his generation.
Natalie Dormer, Jack Gleeson and Peter Dinklage
Our top moments of the week:
15. Best Message: After Jones took her own life on last week's Chicago Fire, a police officer delivers a note she left for Dawson before she died. We learn its contents in the final moments of the episode, when Dawson places the note next to her mirror. What does it say? "Don't let anything stand in your way."
14. Worst Act: Following her heartbreaking, sudden split with Danny, Mindy tries a new approach to picking up guys on The Mindy Project: acting cool. When ...
Jessica Pare, Jon Hamm
Mad Men isn't exactly going out with a bang.
The first half of the AMC drama's seventh and final season drew 2.3 million viewers on Sunday, marking the show's smallest audience since its Season 2 bow in 2008 (2.06 million) and down more than 1 million from its Season 6 opener ...
[WARNING: The following story contains spoilers from the Season 7 premiere of Mad Men. Read at your own risk.]
"Are you ready? Because I want you to pay attention. This is the beginning of something."
Yes, Matthew Weiner, you have our attention. The Mad Men creator kicked off the first half of his advertising drama's final season speaking directly to the audience through the mouth of recurring character Freddie Rumsen (Joel Murray). But it was the next line of Freddie's Don Draper-quality pitch for Accutron watches that reveals what seems to truly be on Mad Men's mind for this episode — and perhaps the remainder of the series.
"Do you have time to improve your life?"
That's certainly a question we imagine Don Draper (Jon Hamm) has been asking himself lately...
The times are always a-changin' on Mad Men.
But as the AMC drama kicks off the first half of its final season (Sunday, 10/9c), the show's focus will be on how much (or how little) the characters have grown during the near-decade viewers have been following them. "[This season] is about the consequences in life and if change is possible," creator Matthew Weiner says. "There is a real growth over this last season from what are the material concerns of your life to what are the immaterial concerns."
Spring TV: Get scoop on your favorite returning shows
Last season focused on ad man Don Draper (Jon Hamm) repeating the mistakes of his past with even more serious consequences. Although Don seems to be truly committed to doing things differently in the early going of the new season, will that make a difference? In other words: Is true change possible, or is it the attempt to change that matters?
"That is the question," Weiner says...