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Question: What do you think about new shows that have a premise that seems unsustainable beyond one season? When Revenge was announced, it seemed like a good idea for a miniseries rather than a long-term program, and with the results we saw in the second season, that doesn't seem so far off. The new CBS show Hostages sounds interesting, but it doesn't seem like something you could continue beyond the initial 15-episode run without the writers coming up with convoluted ways to keep situations from being resolved or having it turn into a different show entirely. So I guess my question is: Do you think networks are getting desperate to have instant hits and aren't thinking about whether or not the show can last and still be good? — Mike
Just months after stepping down from his showrunner duties on True Blood, Alan Ball is getting to debut his new Cinemax series Banshee.
The action series, also executive-produced by House vet Greg Yaitanes, will premiere on...
Bravo has added four more scripted projects to its programming slate, including a reboot of the '80s film Heathers, according to The Hollywood Reporter.
Law & Order: Special Victims Unit is not the same show it was when new executive producer Warren Leight was hired to run it.
Fall Preview: Get scoop on all your favorite returning shows
Since Leight (Law & Order: Criminal Intent, In Treatment, Lights Out) took the reins four months ago, veteran cast member Christopher Meloni has left the show and he's been replaced by two new faces: Kelli Giddish and Danny Pino. But Leight is looking at the positive. "We call it SVU 2.0 this year," Leight tells TVGuide.com. "I'm aware of how successful and well-liked this show is. I'm just trying to figure out how you rejuvenate it after 12 years."
In the expansive interview after the jump, Leight discusses how he plans to do just that. Plus: He gives us the scoop on how losing a partner will affect Detective Benson (Mariska Hargitay), what we can expect from the new detectives and whether Meloni might return for a final goodbye...
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Question: I don't agree that Patrick Jane killed the real Red John in The Mentalist finale. Bringing in a never-before-seen actor and calling him Red John is too easy and takes away from the drama of the show. Using an unknown "disposable" like this guy is indeed Red John's MO. "Who can Patrick Jane trust?" is the real central theme of the show.
As of this episode, he trusts the CBI team, finally telling them what he knows. He still doesn't trust LaRoche (what was in the plastic box?), which is probably a wise move. It could never have been Director Bertram — he was too worried about media and not about what went on. LaRoche certainly has some baggage, including killing the bomber and responding as he did when Jane was running off to spring the trap. ("Busy boy.") My guess is that LaRoche ...