Gillian Anderson and Rachael Taylor
The X Files' Gillian Anderson and 666 Park Avenue's Rachael Taylor have joined the cast of NBC's untitled Rand Ravich pilot, TVGuide.com has learned.
In the drama...
NBC has released the first official poster for its upcoming Silence of the Lambs/Red Dragon reboot, Hannibal — and it's simply delectable.
Can Hannibal Lecter be NBC's savior on Thursday nights?
Hannibal, a contemporary take on Thomas Harris' Red Dragon novel, will take over Do No Harm's vacant slot beginning...
Kevin Bacon, James Purefoy
Fox's The Following opened to killer ratings on Jan. 21, attracting 13.3 million viewers (which includes three days of DVR use). Week 2 was just as sizzling for the new Kevin Bacon thriller, which experienced an even bigger DVR lift. Not bad for a show that doesn't look and wasn't marketed like your typical broadcast drama.
Talk about outsourcing! An increasing number of TV's all-American cops, firefighters and doctors are being played by actors not from the U.S. of A.
Of course, foreign actors have been hiding their accents to play Americans for years. House's Hugh Laurie was so skilled at trading in his upper-crust Cambridge lilt to play the titular grumpy doctor that many viewers were shocked to find out he was British when he spoke with his real voice on an awards show or during interviews...
Mariska Hargitay, Raúl Esparza
For actors, bad guys are always supposed to be the best parts. But after playing criminals on both Law & Order and Law & Order: Criminal Intent, Raul Esparza says he's having just as much fun playing someone on the right side of the law on Law & Order: SVU — if not more.
"I don't think there's anything nice about [ADA Rafael] Barba. He's kind of an a--hole, but I love him," Esparza tells TVGude.com. "And that's OK. He's fundamentally a good person and gets the job done."
Since debuting in the third episode of the season, Esparza has become the SVU squad's new ...
TV viewers have never had it so good — or maybe they have it too good. There's never been more original programming to navigate than at this very moment. Take Sunday nights: Even with the NFL season over, viewing options include The Good Wife (CBS), The Walking Dead (back Feb. 10 on AMC), Girls (HBO), Shameless (Showtime), Downton Abbey (PBS), Family Guy (Fox), Revenge (ABC) and Kourtney and Kim Take Miami (E!). And that's just in one timeslot: 9/8c.
That's a lot of DVR space being filled up week in and week out with must-see shows. "There's definitely more programming that I'm interested in watching than I can actually consume," says Showtime Entertainment president David Nevins.
According to FX Networks president John Landgraf, there were just 35 scripted shows on cable when The Shield premiered 11 years ago; now that number is up to...
CBS is serious about tackling broadcast TV's summer problem, and to prove it, the network is hauling out two big names: Steven Spielberg and Stephen King.
The Steves are behind the upcoming 13-episode CBS summer series Under the Dome, based on King's best-selling thriller about a New England town that becomes sealed off from the rest of the world.
"What a difference a year makes," NBC Entertainment Chairman Robert Greenblatt said during his opening remarks at the Television Critics Association winter previews Sunday.
Of course, he was referring to NBC's huge comeback this fall. On the strength of Sunday Night Football, a fall cycle of The Voice and new drama hit Revolution, NBC ended the fall as the No. 1 broadcast network. In fact, Greenblatt said the network was up 24 percent in the adults-18-to-49 demographic and 19 percent in total viewers; NBC was also the only network to improve in both measures this fall.
Soon after news broke of the horrific December 14 elementary-school shootings in Newtown, Conn., the broadcast and cable networks scoured their schedules for anything that might be deemed offensive or inappropriate in light of the massacre.
"Caution carries the day," says one network executive. "You look up and down the schedule for shows and promos that might be uncomfortably close to the subject matter. Then you ask yourself, 'Are we being sensitive in a correct way or are we being overly careful?'"