Believe it or not, the biggest controversy at the 28th annual Daytime Emmy Awards did not involve General Hospital's Ingo Rademacher (that hairdo!), The Bold and the Beautiful's Adrienne Frantz (that voice!) or Regis Philbin's long-overdue double win for Live and Who Wants to Be a Millionaire (that poor Kathie Lee Gifford!). No, the real debate of the night as determined by backstage scuttlebutt concerned CBS's As the World Turns, and who really is responsible for the show's miraculous resurgence that culminated in eight Emmy wins (including Outstanding Drama Series and Writing Team).
Although many believe new head writer Hogan Sheffer deserves the credit since taking over in August, he re-energized the 45-year-old soap with "a sense of humor and really fast storytelling" those associated with ATWT weren't so quick to proclaim him their comeback kid. "It's a co
If you live under a rock, maybe you don't know: The Daytime Emmys just happen to be the biggest awards show of the year, next to the Oscars and the primetime Emmys. And the Tonys. And probably the Grammys, too. And maybe the Espys. Oh yeah, and the CableAce Awards, for sure. And... and...
Okay, fine. So, since perennial also-ran Susan Lucci finally won one of the damn things in 1999, the Daytime Emmys have been pretty pointless. Heck, even she seems to know it. Though the All My Children melodrama queen was again a nominee at Friday night's 28th annual ceremony, she didn't attend, but instead appeared via satellite from her and Regis Philbin's Atlantic City cabaret gig. And why should she have gone? It's not like the show provides the excitement of wondering whether Robert Downey Jr. is going to get busted onstage or the suspense of watching J. Lo read off a TelePrompter, her ample bosom promising to burst forth at any second from a bar
Although the WB is expelling Popular after tonight's broadcast (at 9 pm/ET), two of the high school dramedy's classmates deserve to graduate with honors to a spinoff and we aren't talking about teacher's pets Leslie Bibb and Carly Pope, either. As varsity vipers Nicole Julian and Mary Cherry, Tammy Lynn Michaels and Leslie Grossman dressed like silver screen golden girls and spat insults that would make Anne Robinson cry. So imagine what would happen if the social-climbing California girls were set loose in Manhattan...
"God almighty, the laughter would never end!" Michaels tells TV Guide Online. "Grossman and I would take that town by storm! Nicole and Mary Cherry would do stuff like fake working at Barney's because they wouldn't hire us. And Nicole would probably make a play for the mayor and try to get in the news."
Unfortunately, a sitcom spotlighting the campiest co-stars since Be
Now that churlish Charmed enchantress Shannen Doherty has hung up her pointy black hat, every wannabe Wiccan in Hollywood is reciting incantations in hopes that she will be picked to round out the coven of remaining co-stars Alyssa Milano and Holly Marie Combs. Even Survivor: The Australian Outback antagonist Jerri Manthey has, figuratively speaking, parked her broomstick outside producer Aaron Spelling's office.
"Oh, absolutely!" the wicked witch of Oz tells TV Guide Online. "I'm all over it. Somebody should plant that seed."
Unfortunately for Manthey, a well documented mean streak alone won't get her handed the keys to Doherty's cauldron. "I'm glad she would be interested [in signing on]," cackles a rep for Spelling TV. "Frankly, I just don't see it. But thank you for making me laugh."
Assuming that Manthey's hocus-pocus will never enthrall TV
Mike Myers just couldn't resist making Shrek something of a Fat Bastard. The funnyman who supplies the not-so-jolly green giant's voice in the animated send-up of classic fairy-tales admits he borrowed heavily from the gluttonous Scotsman he created for Austin Powers: The Spy Who Shagged Me. Why, you ask?
"At first, I was making Shrek sound Canadian," he says, "and I wasn't totally happy. Then I remembered that my mom, who's from Liverpool, used to read me children's stories with a British accent. And even though we had [already] recorded a lot of stuff, I said to the producers, 'I want to try something new.' So I made Shrek sort of British and Scottish. I guess that did include a bit of Fat Bastard."
Myers who replaced Chris Farley after the comic's sudden passing clearly doesn't take the role too seriously. "I was worried about typecasting," he deadpans. "I think I've played too many green ogres." More thoughtfully,
The first of two upcoming Matrix sequels slated for a Christmas 2002 release has been given an official name: The Matrix: Reloaded. Both pics are being shot simultaneously, which makes sense considering executive producer Joel Silver describes them as "essentially one movie shown in two halves."
Certainly, Silver whose credits include four Lethal Weapon films, two Die Hards and two Predators knows his way around a sequel. But the two-time Razzie award winner insists that the second and third Matrix chapters won't be your standard issue follow-ups.
"[Writer-directors Larry and Andy Wachowski] wrote The Matrix as a long story," explains Silver, whose latest project, the John Travolta crime thriller Swordfish, opens June 8. "They wanted to tell a superhero story, so they created this world where one could be a superhero and it would be believable, because you're in
West Wing-ers can relax: The show's creator, Aaron Sorkin, assures TV Guide Online that his recent drug arrest will have absolutely no impact on the Emmy-winning NBC drama. "The law is going to require me to do some things," he says, "and I'm gonna be able to do them without the show being affected at all."
Last month, Sorkin was arrested at a Los Angeles-area airport on suspicion of carrying drugs and later was charged with possessing hallucinogenic mushrooms, rock cocaine and marijuana. He has since pleaded not guilty and is eligible for a drug diversion program.
Although the 39-year-old producer-writer concedes that it's been a difficult month, he adds that it could have been a lot worse were it not for his faithful cheering section. "I've had great support from my family, friends, everybody at the show, everybody at NBC and Warner Bros.," he says. "I feel good."
Sorkin would feel even better if he had a job to go to
Oscar winner Ben Kingsley who starred as Oskar Schindler's Jewish accountant in Schindler's List and who headlines ABC's wrenching holocaust miniseries, Anne Frank (airing Sunday and Monday at 9 pm/ET) has no patience for critics who say there are just too many death camp dramas coming out of Hollywood.
"How dare they!" scowls the actor in an interview with TV Guide Online. "Poor souls who want to anesthetize themselves against the realities of life. This dark period of our history happened, and people who don't want to face it are in bad shape."
In Anne Frank based on Austrian journalist Melissa Muller's 1998 book Anne Frank: The Biography Kingsley portrays Otto Frank, the young heroine's father and the only survivor in his family. "There is an element of Otto that allowed him to survive the camps, and [gave him] the will every day of his life after Anne's death to say
If the sophomore season of The Invisible Man (airing Fridays at 8 pm/ET on the Sci Fi Channel) has left some viewers feeling as if their lives are flashing before their eyes, it's not entirely unwarranted. But rest easy, kids, it's not your lives... just your names.
As series star Brandy Ledford (aka superspy Alex Monroe) whispers to TV Guide Online, the show is paying tribute to the many Internet fans who dissect the program on a weekly basis. "If you watch the new main titles closely, in between the cuts, they're flashing up the screen names of fans." Why? "The show understands the importance of fans, more so than most other shows."
As proof of that fact, Ledford offers up tales from her days as Baywatch's bikini-clad lifeguard, Dawn Masterton. "It was a huge international show, but they weren't doing it for the fans. It became sort of self-indulgent and self-aggrandizing. But on this show, we're so well-received by the fans."
The actress, who fi
While on summer hiatus from Will & Grace, Megan Mullally who plays tart-tongued Manhattanite Karen Walker has left behind the trappings of not-so-polite society. Especially her rich witch character's high-pitched voice.
"It's really very grating isn't it?" she grins. "It does not befit a wealthy resident of the Upper East Side. You'd think Karen would take some of her money and get it surgically altered or something."
Of course, her less than dulcet tones are hardly Karen's worst flaw she mainly lives to dress down and rank out everyone in her path. In fact, Mullally's a bit concerned about fan response to her alter ego's cutting commentary. "A lot of people come up to me and say, 'Oh god, I'm just like Karen, that's what they [tell me] at the office,'" she laughs. "I'm like, 'You know what? The people in your office may not be giving you a compliment. You may be getting fired soon.'"