The World, The Flesh, And The Devil

  • 1959
  • Movie
  • NR
  • Science Fiction

An interesting but ultimately unfulfilling and unconvincing post-holocaust allegory which is really more concerned with the problem of racism than with surviving a nuclear attack. Belafonte is a coal miner who represents the moral stance of the "world," while Stevens is meant to be the "flesh." After wandering around alone for the first half of the picture, more

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Director (1 Credit)
Writer (2 Credits)
Ferdinand Reyher
Source (1 Credit)
Matthews Phipps Shiel
Producer (1 Credit)
Cinematographer (1 Credit)
Harold J. Marzorati
Editor (1 Credit)
Musical Composer (1 Credit)
Miklos Rozsa
Art Director (2 Credits)
Paul Groesse
William A. Horning
Special Effects (1 Credit)
Lee LeBlanc

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