Whereas Eastwood's homage to director Sergio Leone, HIGH PLAINS DRIFTER, was bleak from start to finish, THE OUTLAW JOSEY WALES begins with life (Eastwood and his family) and ends with life (the communal family). In between is a long period of healing and rebuilding wherein Eastwood re-examines the "man with no name" screen persona he developed with Leone. THE OUTLAW JOSEY WALES is a cautiously optimistic epic, deeply rooted in American history. Wales, despite his efforts, is not a loner. Instead of surrendering and assimilating into the "rebuilt" post-war society full of carpetbaggers, Klansmen, and dishonor, Wales and his group create their own society, steeped in honor, mutual respect and love. Bolstered by Surtees's magnificent cinematography, Fielding's fine score and an excellent supporting cast highlighted by the scene-stealing dry wit of Chief Dan George, JOSEY WALES affirms life and community with bracing conviction.
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