Lawrence Of ArabiaMovie
David Lean's splendid biography of the enigmatic T.E. Lawrence paints a complex portrait of the desert-loving Englishman who united Arab tribes in battle against the Ottoman Turks during WWI. At the center of Lean's superbly sun-drenched, 70mm canvas is Peter O'Toole's eccentric but
magnificent portrayal of the erudite, Oxford-educated lieutenant, who wangles an assignment as an observer with Prince Feisal (Alec Guinness), the leader of the Arab revolt against the Turks. Feisal is resigned to allowing his tribal army to become just another branch of the British forces, but
the messianic Lawrence, determined to prevent the Arabs from falling under British colonial domination, undertakes a military miracle. He, Sherif Ali (Omar Sharif)--whom Lean introduces as a tiny dot on the desert horizon that steadily enlarges, in one of the film's most striking scenes--and 50
men traverse the "uncrossable" Nefud Desert; join forces with their traditional tribal enemies, led by Auda Abu Tayi (Anthony Quinn); and rout the Turks at the strategic port city of Aqaba. Given the go-ahead by Gen. Allenby (Jack Hawkins), worshiped by the Arabs he has brought together, and
cloaked in their flowing white robes, "El Aurens" leads the Arabs in a brutal guerrilla war that is as much about establishing Arab sovereignty as it is about defeating the Turks. His thrilling exploits are glorified by the Lowell Thomas-like American journalist Jackson Bentley (Arthur Kennedy).
In time, however, Lawrence's legions dwindle, he begins to revel sadistically in violence, his grand attempt at overseeing the formation of a united Arab Council in Damascus collapses, and he returns to Britain exhausted. Lean's film is best appreciated on the big screen, and in 1989 a carefully
restored version of LAWRENCE was released that reinstated 20 minutes cut for the original roadshow release and another 15 minutes trimmed when it was rereleased in 1970. Moreover, Lean and his original editor, Anne V. Coates, were finally given the chance to do a "fine cut" on the film, now 216
memorable minutes long.