Devils On The Doorstep

Like so many of the great black comedies set against the grim backdrop of war — Billy Wilder's STALAG 17, Robert Altman's M*A*S*H, Emir Kusturica's UNDERGROUND — Jiang Wen's scathing satire is rooted in an inhuman scenario: Japan's brutal occupation of China during the 1930s and '40s. The year is 1945, and for the past eight years, Japanese more

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