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Question: I enjoy a good soap, which is probably why I've always liked Grey's Anatomy. However, I'm really questioning this whole baby plot. From what I've gathered online, a lot of the lesbian community appears to be truly offended by a storyline that they feel would never be imposed on a straight couple and I can definitely see their point. I've never seen a primetime TV show force a man to deal with a former/current girlfriend having someone else's baby. That tends to be a deal breaker. But my understanding is that Grey's isn't the first show to use this plot with a female couple. I think Shonda Rhimes has done a great job showcasing a diverse cast and attempting to be sensitive to all communities, which is why I'd love to know exactly why she's chosen to tell this particular story, with a man smack in the middle of the only gay couple on the show forever and ever if they're going to share custody of a child. — Jen
Matt Roush: Diversity works both ways on a show like Grey's Anatomy. No matter the gender, race or sexual orientation, everyone's an aggravating mess on this show, and no one is spared the contrivances of this brand of storytelling....
Steven Tyler, Jennifer Lopez, Randy Jackson
Now that American Idol's new panel has endured a few rounds of ear-splitting auditions, we want to know how the new incarnation's individual judges compare to the old guard. Do you miss Paula Abdul's effervescent personality? Ellen DeGeneres' quirky humor? Simon Cowell's gruff, take-no-prisoners sarcastic wit? Or are you loving newcomer Jennifer Lopez' superstar presence and Steven Tyler's rock star attitude? Has Randy Jackson, the last remaining original judge, become the guy you find most insightful? Let us know in our poll after the jump...
With Lois and Clark's wedding day approaching, the Smallville gang, including Chloe (Allison Mack), heads to Metropolis' version of Las Vegas on the February 25 episode for a wild bachelor/bachelorette party weekend that becomes one big, er, Blur!
"It's our fun Hangover episode," says executive producer Brian Peterson. "Clark won't remember what happened the night before." With Supes impervious to the effects of alcohol, it's a spiked bottle of champagne sent by Zatanna that sparks the insanity...
Lie to Me (Fox, 9/8c, Monday)
Call it the unsocial network, as the "to tell the truth" procedural wraps its third season — let's hope it's not the last — with a strong episode that plays like the murderous flip side of The Social Network. When a murder occurs during the contentious wrangling over profits of a hot social-networking app, Lightman's steely focus falls on the smug creator — or so he says — of the site (played by former Nikita co-star Ashton Holmes in a variation of Jesse Eisenberg's take on Mark Zuckerberg). An hour earlier on NBC (opposite a fresh episode of the much-moved-around Human Target), a pivotal episode of Chuck airs that would have been the season finale if NBC hadn't extended the show's order. It's Chuck vs. psycho villain Volkoff (the very entertaining Timothy Dalton), and that should be great fun...
Much of the TV landscape is, and has always been, devoted to comfort-food formula. Some of us, though, live for those moments when a show breaks formula and delivers the unexpected. This week gave us some excellent examples of that in the most popular formula of the moment: the crime/police drama.
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First, TNT's Southland, which really doesn't qualify as a conventional police procedural, its cases often taking a back seat to the personal day-in-the-worklife dramas that unfold with gritty, muted realism. Even so, it was a jolt to witness the death of a major character (Kevin Alejandro's quietly competent Nate Moretta) unfold in the manner of a matter-of-fact nightmare...
ABC is hoping it has the next Mad Men with Pan Am, an early 1960's-set drama focusing on the sexy stewardesses (as flight attendants were known back then) of Pan Am's state- of-the-art aircraft, The Majestic. Though just a pilot at this point, the project is in very good hands, with West Wing director Tommy Schlamme charged with bringing this world to life. Our flight crew includes Maggie, Kate, Laura, Colette, charming pilot Dean and his co-pilot Ted.
Sarah Michelle Gellar
Exciting new details have emerged about Sarah Michelle Gellar's new CBS series, Ringer, which sounds potentially even more intriguing than the goings on in Buffy's old Sunnydale universe.
The director who brought Mad Men to life will now do the same for another 1960s-set drama, the NBC pilot Playboy.
Alan Taylor was hired late Thursday to direct the pilot of Playboy, which takes place during the same era that helped make Mad Men a critical darling. Like Mad Men, Playboy is aiming to capture the look and feel of the social and cultural revolution of the early 1960s. The story follows the exploits of a group of women hired to work at a Playboy Club in Chicago.
William Shatner may just be warp-speeding past Ryan Seacrest as the man with the most jobs in show business: the TV icon has a hit sitcom with big upcoming guest stars, a talk show, a newsmakers series, an upcoming book and a new album in the works.
His CBS sitcom, $#*! My Dad Says, is a likely candidate to return for a second season, the actor told TV Guide Magazine at a breakfast to distribute philanthropic funds in conjunction with the Hollywood Charity Horse Show he founded. "It's getting terrific numbers, holding steady and beginning to build, and we're very hopeful for next season," Shatner says of his first regular sitcom gig. "I was unprepared for how different it is and I'm thrilled by it. I may be having the most fun of anything that I've ever done."
Is Peter Bishop a man or a machine? Maybe both. In this exclusive shot from tonight's episode of Fox's Fringe (9/8c, Fox), titled "Reciprocity," we get a peek at our hero hooked up to something as the team tries to figure out his connection to Walternate's doomsday device.