So Peter and Olivia met when they were kids. Bet that has some of you scratching your heads, huh?
Last Friday, Fox's sci-fi uber-coolness Fringe kicked back to 1985 — land of Walter's sideburns and cortexiphan treatments — to show us how young Olivia (called Olive by Dr. Bishop) star-crossed paths with new-to-this-'verse Peter just as she was tapping into her abilities to travel between worlds. Turns out both kids were in tough spots: He was all pissed that his "parents" were trying to sell him on the lie that he hadn't been snatched from another dimension, and she was desperate to avoid the abuse of her stepfather. Before you can say, "young love," the two youngin's are connecting on that kind of level that causes snow to start magically falling and, in Olivia's case, accidentally crossing over to the red universe and cluing Walternate into the possible location of his missing son.
It was awesome!
Now this is a superstar. Erika Slezak, winner of an unprecedented six best actress Emmys as Victoria Lord (Gordon Riley Burke Riley Buchanan Buchanan Carpenter Davidson Banks!) on One Life to Live, will celebrate her 40th anniversary with the soap on March 17. (The show airs an hour-long homage to this grandest of grande dames April 26.) TV Guide Magazine sat down for a chat with Slezak about all things Viki — the men, the magic, the memories.
Fox's upcoming dinosaur drama Terra Nova will introduce a newly imagined birdlike breed called Slashers. Their trademark: bright-colored feathers — "purples, bright blues and deep reds," says the show's lead Jason O'Mara. "This is the first time we're going to see, in an entertainment context, what dinosaurs actually looked like."
So how did everyone like 127 Hours: The Oscar Show?
Past experience has lowered our Oscar night expectations, but the enormity of this year's train wreck was hammered home when the starry audience stood and cheered as Billy Crystal took the stage midway through — as if to say: "Come back, Billy! Do something! Please save this show!"
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The 8-time former host teased, "We're running a little long, so here are the nominees for best picture." Bad boy. Funny boy. Boy oh boy, could the show have used a little more of Crystal's comic polish...
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Question: I watch Two and a Half Men for some light, escapist entertainment. I enjoy the laughs and the double entendres. But really, that all stems from the writing. In fact, the Alan-centric episodes are some of the best ones. I wouldn't mind seeing more Berta, either. The Jake character is now of an age where he's picking up more of the storylines. If Charlie moved to London with Rose and his doppelganger cousin came to live in the house, they could keep a ladies man/lush character (if they feel that the show absolutely needs one). In a way, I'm disappointed that they've decided to end the season with no new episodes. Maybe they would have shown that the show could still be popular without the Sheen character. Nonetheless, I am glad that the powers that be saw how far off the reservation Sheen really is and said enough is enough. What's your take on the future of the show? Is it DOA without Charlie Sheen? — Karen
Matt Roush: First off, thanks for reminding us why this matters. In the wake of the latest meltdown and shutdown, there's a lot of "the show sucks anyway/who cares/who watches this crap" cynicism...
Gotta admit, when I first heard ABC's Grey's Anatomy was staging a musical episode, I had serious doubts about what Patrick Dempsey (Derek) jokingly refers to as "Glee M.D." And I wasn't the only one.
"Ellen Pompeo [Meredith] was very much like, 'Tell me we're not going to sing and dance in the hall. This is crazy!'" recalls creator Shonda Rhimes, who dreamed up the risky concept as a love letter to fans. But after the cast's first script read-through, Rhimes says Ellen "came up to me and said, 'I never say I'm wrong, but I was wrong and I want to sing more!' She's having so much fun with it."
I'm sold, too...
Matt Lauria, Jason Clarke
The Chicago Code (Monday, 9/8c, Fox)
As often happens in the best crime dramas, the bad guy often gets some of the meatiest material. And Ronin Gibbons, the Chicago Alderman played so deliciously by Delroy Lindo, is no ordinary adversary. We get a better sense of what makes him tick in this episode, when the powerful politician is confronted by an armed teenage robber, causing Gibbons to look back on his own upbringing, back before he became so cynical about the city's corrupt ways. In another storyline, a bomber blows up a city building and promises more mayhem, putting a ticking clock on Jarek and Caleb's efforts to track down the culprit. This situation is not unlike the dilemma on ABC's Castle an hour later (10/9c), in the conclusion of a tense two-parter that finds Beckett and Castle teaming up with a fed (Adrian Pasdar) to avert a terrorist calamity....
James Goldston is changing executive producer jobs at ABC News, moving from Nightline to Good Morning America. Goldston is the former BBC producer who oversaw the turnaround of ABC's Nightline in 2005, when it looked like the show might be headed for extinction. Now Nightline is often the most watched-show in late night. Can he bring the same touch to Good Morning America, which has been in the ratings shadow of NBC's Today for the past 15 years?
TV Guide Magazine takes you behind the scenes on our smokin' hot photoshoot with Castle stars Nathan Fillion and Stana Katic. From this season's steamy kiss to what's coming up in Castle and Beckett's relationship, no topic is off limits! Plus, the actors reveal ...