Michelle Dockery, Julian Ovenden
[WARNING: The following contains spoilers from the Season 4 finale of Downton Abbey. Read at your own risk.]
We are grateful to have Downton Abbey in our lives, but our devotion to the show is the very reason we're so irked at how it progressed this season.
Although we've come to terms with the loss of Matthew (Dan Stevens) and Sybil (Jessica Brown-Findlay), it doesn't seem like the writers quite know what to do in the wake of those deaths. So much of this season felt either forced or false or just failed miserably. Has Downton Abbey lost its charm?
Before launching into the season as a whole, let's go over the highlights of the finale, shall we?
I tried to give Downton Abbey the benefit of the doubt. I tried to stave off my judgments until I had given the show time to prove me wrong, to prove that this wasn't just another case of rape as cheap and consumable entertainment. But here we are at the end of the season, and my frustration has only grown.
Downton's fourth season notoriously featured the show's most beloved character, Anna (Joanne Froggatt), being violently assaulted by a visiting valet. But contrary to creator Julian Fellowes' defense that he wanted to "[explore] the mental damage and the emotional damage" that follows sexual assault, I still have very little idea how Anna has been intimately affected by this tragic incident. Instead of parsing Anna's psychological state, the show continued its violation of her character by immediately shifting the dramatic tension to questions about how Bates (Brendan Coyle) would respond.
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