Matt Roush


Matt's Guide to Weekend TV: Walking Dead, Case Histories and More!

Andrew Lincoln

"Here comes the bad part."

When you hear ominous words like these in a show as unflinchingly graphic and terrifying as AMC's The Walking Dead (Sunday, 9/8c), you know you're in trouble. Bad, of course, meaning good and gruesome — just how a zombie-phile likes it. Following a long hiatus and behind-the-scenes tumult including the departure of co-creator/director Frank Darabont, Dead returns very much alive and kicking, the gut-wrenching highlight of another busy TV weekend.

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Matt's Guide to Thursday TV: A Classic Community and All that Jazz

Danny Pudi

There's no comedy series quite like Community, and as is often the case with such an uncompromised original, being this defiantly different comes with a price. And sadly, that price tends to be the sort of cellar-dwelling ratings that would get most shows canceled, if on any other network. Thankfully, NBC can ill afford these days to turn away any show that gets this kind of cult and media buzz, although everyone wishes it were doing better or were programmed in a time period (the old 30 Rock slot currently being wasted on Whitney, maybe?) that might increase its exposure.

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Matt's Guide to Wednesday TV: A Good Knight for Guest Stars

T.R. Knight

Say it ain't so, George. T.R. Knight, once upon a time the beatific BFF of all the Grey's Anatomy gals, is this week's guest rapist on Law & Order: SVU? He can't believe it either, and in this week's episode (NBC, 10/9c), which provides new cast members Kelli Giddish and Danny Pino with their best showcase yet, Knight is thoroughly convincing as a family man who never stops protesting his innocence, though the evidence is damning. Told that DNA doesn't lie, he sputters, "Neither do I!" as he literally sweats out this ordeal. But never forget this is SVU, known for the outlandish twist, so when the DA declares, "You have got to be kidding me!" at a critical juncture, you wonder if she's ever watched this show. Bravo to Knight for his bravura work here. He has been missed.

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Ask Matt: Homeland, Revenge, Dancing, Prime Suspect, and More!

Damien Lewis, Claire Danes

Send questions to askmatt@tvguidemagazine.com and follow me on Twitter!

Question:
Homeland is excellent! Absolutely loved the first episode! I love the drama, storyline and just how it was set up for the entire season. My question to you is if this show is supposed to be only one season or depending on the ratings may extend to another season? 

­— Mike

Matt Roush: Isn't it great! Let's hope Homeland runs for as many seasons as the story allows. You always have to figure shows like these are intended to run beyond a single season. (If not, we'd be calling it a miniseries.) But I do understand the question, because the initial premise of the show — is Brody a sleeper agent, or is Carrie crazier than she seems? — makes you wonder where the story will go once we get to the root of what happened during Brody's captivity and whether that figures into a larger terrorist conspiracy. Preferring to go on the ride without knowing where it's heading (no spoilers here, obviously), I'm basically looking on this season as the first chapter in what is promising to be an emotionally compelling thrill ride.
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Roush Review: Last Man Standing

Tim Allen

Even TV comfort food has an expiration date. So it is with Tim Allen's comeback vehicle on the network that made him a star.
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Roush Review: Lifetime's Five, HBO's Enlightened

Jeanne Tripplehorn

They rarely make TV-movies like Lifetime's Five (Monday, 9/8c) anymore, and I really wish they would. A sensitively told issue-of-the-week anthology in the classic life-affirming tear-jerker tradition, the high-profile talent is on both sides of the camera in these intertwined vignettes dealing with breast cancer. Though the subject matter is wrenching, the tone here is more about emotional uplift, emphasizing the importance of bringing loved ones along for the fight.
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Roush Review: Breaking Bad's Explosive Finale

Bryan Cranston and Bob Odenkirk

Casa Tranquila, my eye! (Or, rather, Gus's eye.)
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Matt's Guide to Weekend TV: Friday Cult TV, The Making of South Park and Breaking Bad

Trey Parker, Matt Stone

FRIDAY

Friday night is cult night, which may be why Rachelle Lefevre, the original Victoria in the first two Twilight movies, is joining CBS' A Gifted Man (8/7c) as Dr. Kate Sykora, among the candidates Michael is interviewing to run the clinic. ... Elsewhere, Jensen Ackles directs an episode of the CW's Supernatural (9/8c) in which Sam follows a lead on a demonic case from his youth. Firefly's Jewel Staite appears as the ...
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Matt's Guide to Thursday TV: Parks By the Book, Grey's Guys Step Up, and More!

Amy Poehler

Leslie Knope has literally written the book on Pawnee, Indiana. (Actually, the writers of Parks and Recreation have, and the very amusing mock guidebook — Pawnee: The Greatest Town in America — is available now.) In tonight's Parks episode (NBC, 8:30/7:30c), Leslie's promotional tour for said book lands her on public radio — a satirical spin courtesy of guest Dan Castellaneta (moonlighting from his suddenly contentious Simpsons gig) — and then on Pawnee Today, where the town's chirpiest cheerleader experiences a bit of an identity crisis, courtesy of "Gotcha!" host Joan Calamezzo (the hilarious Mo Gaffney). The episode is just fine, but from what I've skimmed — who has time to read this time of ...
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Matt's Guide to Wednesday TV: FX's Horror Story, HBO's Tribute to George Harrison and More

Dylan McDermott

THERE'S NO PLACE LIKE A HAUNTED HOME: To hell with Casper. The ghosts are decidedly unfriendly these days. Not content to go "Boo!" in the night, the malevolent spirits that haunt FX's terminally twisted American Horror Story (10/9c) have a tendency to get under the skin, playing sexually charged and violent mind games with their victims.

But how frightening is this haunted-house creep show? Depends on whether you're of the "less is more" or "more is more" school of terror. Horror Story errs on the side of overkill, reminding us of the perilously thin line between what's scary and just plain silly. From Ryan Murphy (Glee) in his garishly gothic psychosexual Nip/Tuck mode of wretched excess, this is so overstuffed and disjointed in its reckless piling on of nasty shocks-for-shock's-sake, it often feels as if it were edited with a Cuisinart on "chain saw" setting.

Still, I defy you not to get goose bumps anytime a character descends into the Cellar Where Disgusting Evil Lurks, starting with the classic prologue — set in 1978, the year Halloween premiered, and ...
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