Clotilde Hesme and Pierre Perrier
You were maybe expecting monsters on Halloween? Less than a week after NBC so disastrously attempted to "re-imagine" Dracula, cable's Sundance Channel scores again — in a year that has already given us the exceptional Top of the Lake and Rectify — by subtly yet audaciously flipping the zombie thriller in the eight-part French import The Returned (with English subtitles). In this quietly creepy and profoundly unsettling supernatural mystery (Thursday, 9/8c), the undead are portrayed not as Walking Dead-style flesh-eaters but as deeply and unmistakably flesh-and-blood human.
Today's history lesson: You shouldn't always believe what you hear. Long before TV, let alone social media like Twitter and Facebook, the medium of radio held sway over the public consciousness — and more to the point, the collective imagination — in a way that now seems hard for many to fathom. One visionary who understood its potential and power was Orson Welles, "prodigy and provocateur," who at the astonishingly precocious age of 23 triggered a Halloween eve panic in 1938 with his innovative and infamous CBS Radio adaptation of H.G. Wells' The War of the Worlds.
Dylan McDermott and Toni Collette
Simplicity can be a helpful thing for an effective thriller — and that, sadly, is an attribute CBS's overwrought, underwatched Hostages (Monday, 10/9c) lacks altogether. The more complications this show introduces, the sillier it threatens to become. It's hard to imagine a subplot of less interest than the money problems of foxy hostage-taker Sandrine ...
Josh Charles and Julianna Margulies
Can't they all just get along? Perish the thought.
Few spectacles are more exciting and satisfying than watching a great series reinvent itself with bold strokes and high drama. In its five seasons, CBS's The Good Wife has never played it safe in boardroom, courtroom or bedroom — but nothing could have prepared us for just how explosively entertaining the war within Lockhart/Gardner was going to be.
Once upon a very different time, Lisa Kudrow owned Thursday night along with her other TV Friends during NBC's now-distant era of "Must See" supremacy. She's back on the same night, on a different network, but once again she's landed on the buzziest show of the moment: ABC's Scandal (10/9c), where she begins a recurring role as Josephine Marcus, a Democratic Congresswoman — and outspoken critic of the Grant administration — who tangles with First Lady Mellie (the awesome Bellamy Young). What drew Kudrow back to network TV? May have something to do with her longtime friendship and working relationship with producing partner (and guest actor Emmy winner) Dan Bucatinsky, who plays Cyrus's excitable partner James on the show. While she's reason enough to tune in, the Pope & Associates subplot also sounds like fun, as they take on as a client a politician notorious for snapping photos of his unmentionables. (Sound familiar?)
Aw, heck. Is it really worth making a fuss over The Middle's 100-episode milestone? It hardly seems in character for a family like the Hecks of Orson, Indiana. When she's reminded that they volunteered to drive a giant cow float in Orson's centennial parade, Frankie (Patricia Heaton) whines, "This is what happens when we drink: We sign up for stupid committees. Or get Brick."
But as Orson itself expresses in a self-deprecating new town motto: "Why not?" This episode (Wednesday, 8/7c, ABC) truly is cause for celebration, as TV's most heartfelt and hilariously relatable family sitcom reflects on what brought Frankie and Mike (Neil Flynn) to Orson in the first place, while giving their lovably imperfect offspring a chance to shine in clever-to-wacky subplots. (Sue's attempt to make Darrin jealous by cozying up to her flamboyant BFF Brad is especially genius.)
Most Bones fans will likely agree with its title character (Emily Deschanel) when Brennan declares to her intended, Booth (David Boreanaz), "We've waited long enough." The wait is over, as the brusque forensic anthropologist and her impetuous FBI baby-daddy finally head to the altar — although for most of this endearing episode (Monday, 8/7c), nearly everyone in the Jeffersonian lab, including a full complement of returning Squints, is laying bets that the wedding will never happen. There's a new case, after all, and the real challenge is to keep Bones from becoming too distracted. Cyndi Lauper (returning as psychic Avalon Harmonia) is on hand to perform at the ceremony, but what she should really be singing is "Get Tempe to the Church on Time." There are additional complications and intimations of cold feet before the lovely finish, but Angela (Michaela Conlin) probably says it best: "You don't want your fingers to smell like death when Booth puts on the ring."
She's right. And: ew.
Send questions and comments to email@example.com and follow me on Twitter!
Question: I'm enjoying The Blacklist thus far and would watch it for James Spader's performance alone, but I'm also enjoying the stories as well. NBC is sticking to a formula that has worked before, albeit on a sister network. The intriguing loner, at odds with a government agency, solving the case of the week with the help of his associates, with a through story that's addressed for a few minutes at the start and end of each episode, just enough to keep the serial nature of the story going. Am I the only one who thinks that The Blacklist is Burn Notice with a network budget? If the show is successful, NBC will end up as an expensive version of USA Network. Not there's anything wrong with that. — Rick
Is "I've Got You Under My Skin" the most appropriate sweet nothing to croon in the skin-crawling world of AMC's The Walking Dead? No matter, because there's not much of a lull in Sunday's powerful episode (9/8c), ominously titled "Infected." Which suggests the virus that felled Nerd Boy last week creates a bloody panic in the cell block, reminding us how illusory any notion of safety can be. "I haven't seen anybody be lucky in a long time," former Army medic Bob Stookey (new regular Lawrence Gilliard Jr.) observes as a full gamut of courage, terror and anguish is displayed during and after the latest crisis. Earning special bonus stripes this week: Melissa McBride as the awesome Carol, who takes a few distraught girls under her wing, but not to coddle them: "You want to live, you have to become strong" is her mantra. Meanwhile, the walkers keep pressing up against the prison gates and the audience can't get enough of the riveting mayhem, as evidenced by the record numbers who turned out for last Sunday's premiere.