When Saturday Night Live announced this season's six new cast members, many were shocked to see that the sketch comedy show would be devoid of a black female cast member for the sixth year in a row.
In a world where we have a black First Lady and pop culture is defined by Scandal, Rihanna, Oprah, Nicki Minaj and Beyonce, this is...
The summer's most gripping series (until Breaking Bad started back up) rushes toward a shattering conclusion as BBC America's Broadchurch presents its penultimate episode (Wednesday, 10/9c), with broken lives and aching hearts on all fronts — including the ailing Hardy's (David Tennant), who won't let his latest collapse keep him from pursuing little Danny's killer: "Don't tell me what my limits are," he barks. As more skeletons are unearthed in this seaside community (and let's hope the mysterious Susan's poor dog isn't one of them), the toll of secrets and suspicion weighs heavy: "Once it's got its claws into you, it never lets go," says one of the many suspects whose world has been rocked by the tragic events and poisonous fallout. Don't let next week's denouement escape you as the new broadcast season gets underway with all of its bells and whistles.
Is she truly evil, totally bonkers or just misunderstood? Tika Sumpter stirs it up plenty on the Tyler Perry sudser The Haves and the Have Nots (Tuesdays at 9/8c on OWN) as Candace Young, the gold-digging hooker — excuse us, gentleman's escort — who is bedding and blackmailing Judge Jim Cryer (John Schneider). The former One Life to Live and Gossip Girl star gave TV Guide Magazine the lowdown on her down-low character.
It's so hard finding good shows about help these days.
PBS' hit Brit import Downton Abbey, which humanizes the servants and nobility with equal sensitivity and wit, is an exception. In the second cable series within a month depicting the class divide between the unhappy rich and the equally conflicted domestics who tidy their fabulous homes if not their messy lives, both extremes of the economic scale are patronized with cartoonish levels of camp and melodrama.
If you liked Marc Cherry's Desperate Housewives, then you're pretty much already seen Lifetime's Devious Maids — what's next, Dangerous Masseuses? The characters and situations may be different, but creator/executive producer Cherry's signature tone of arch cattiness leavened with sentimental schmaltz is unmistakable...
Maybe Tyler Perry's next movie should be called Madea Saves Oprah's Network.
Just a year ago, OWN's financial losses and struggle for ratings began to concern the Wall Street analysts who follow the venture that Oprah Winfrey co-owns with Discovery Communications. So writer-director-producer Perry, a longtime Winfrey pal, offered his services to create comedies and dramas for the network, which had been built on reality series and talk shows.
Twelve months later, his scripted ...