Last week, I complained about ABC revealing too much during their promos and coming attractions. This week, I must do the opposite. Thank you, ABC, for not revealing too much about the plot of this episode in last week's previews. We were simply teased without seeing any key plot developments. For all we knew, Edie and Carlos were going to have amazing sex together because of those Postman Always Rings Twice-like scenes they showed, not the "amazingly bad" sex they had their first two attempts. I loved Edie bitching at Carlos about referring to her as being "bad in bed." Edie: "I've had more thrills leaning up against the dryer." I was pleased to see the two of them finally have success at the very end. I kind of wish they played Nicollette Sheridan's other half's song "Time, Love and Tenderness" when they showed them lying in bed together after the good sex. Sometimes that's all it takes — time, love and tenderness — rather than, "Wham bam, thank you, ma'am."I found it qu...
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What a refreshing change of pace: an entire episode told from the point of view of the husbands rather than the wives. And who better to narrate than one of the dead husbands? Rex Van De Kamp (Steven Culp), great to have you back, or at least your voice. Reminded me a bit of the one time George narrated instead of Meredith on Grey's Anatomy. Shifting the focus to the husbands was an effective way of keeping our minds occupied during the absence of Marcia Cross. You've heard of going braless; well, this episode was Bree-less. But hey, Momma was preparing to have twins. Good timing for Bree to be off "visiting her parents" while her slutty daughter Danielle discovered she was pregnant. And just when Julie was forgiving Austin for cheating on her with Danielle. I loved Danielle loudly puking after Julie was telling Austin she'd give him another chance. Did any of you think Andrew was about to proposition Austin into sleeping with him as blackmail so Andrew wouldn't tell Julie about Dan...
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Those promos at the end of last week's episode were right. We finally got answers to so many questions involving Orson's past:— He was in a psychiatric ward in 1976 after the supposed suicide of his adulterous but religious father. (But now we know Gloria staged the suicide the same way she was trying to stage Bree's.)— Gloria had blamed Orson for her husband's death, saying Orson was supposed to watch out for him, but chose to go out with friends.— It was Gloria who killed Monique with Mike's wrench.— Orson buried Monique in the dirt while Gloria removed Monique's teeth (ouch).Ahh... closure, at last. I knew it would be good tonight since it was written by Marc Cherry and Joe Keenan. As discussed here before, Marc had to finish up Bree's story line earlier than originally planned due to Marcia Cross' pregnancy. I was very happy that Gloria ended up alive at the end. When Ida Greenberg found the bodies of Alma and Gloria lying on the lawn, I figured they were bot...
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After last week's laugh-filled hour, tonight was a bit of a letdown as far as the humor level goes. This doesn't mean I didn't like this episode — I just enjoyed it less, and I am in agreement with those of you who are starting to get a bit tired of the Alma story line. When, oh, when will we get to see Monique in flashbacks again? At least we know that those teeth are actually Monique's, as expected, and we found out what Alma was injecting herself with — hormones, so she'd get pregnant more easily. Speaking of which, how about Alma giving Orson both sleeping pills and Viagra so that she could rape him while he was passed out? I do give the writers (Valerie Ahern and Christian McLaughlin) credit for making references to Viagra without actually mentioning it, like Alma saying she gave Orson something "to keep the part of you I need nice and perky." That was pretty creepy when Gloria mentioned how much she wanted a grandchild while Alma got ready for her night with Orson by...
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First thing I need to say right off the bat is how funny I thought the show was tonight. Not that I don't always think it's humorous, but I found it even funnier than normal. So I must commend the writers — co-executive producer Kevin Murphy and producer Kevin Etten — for a hilarious script. There were so many great lines, but I think my favorite was Lynette to Tom after Tom told her he wasn't inviting her to the opening of his new restaurant due to her snarky attitude, which made Lynette say no to sex. Tom: "So we're not havin' sex?" Lynette: "Hey — you banned me from your opening." Shut up. To think that Lynette had to expose her breasts to that old man Harry (Richard Herd) just to get him to sign off on Tom's liquor license. What a wife won't do for her husband. Mrs. McCluskey was an excellent inspiration for Lynette, so Kathryn Joosten was able to deliver one of the episode's many other zingers (re: Tom): "It's bad enough you cut off his cojones. Now you want to j...
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