Sarah Shahi

For Your Consideration -- The film focuses on the making of an independent movie and its cast who become victims of the dreaded awards buzz.

A Lot Like Love -- Oliver and Emily are reunited time and time again.

On the set of a low budget film, three actors enjoy an internet-generated rumor that Oscars are in offing, setting off a renewed interest in the film and their careers. From the creators of Best In Show, with Eugene Levy.

On the set of a low budget film, three actors enjoy an internet-generated rumor that Oscars are in offing, setting off a renewed interest in the film and their careers. From the creators of Best In Show, with Eugene Levy.

The film focuses on the making of an independent movie and its cast who become victims of the dreaded awards buzz.

The film focuses on the making of an independent movie and its cast who become victims of the dreaded awards buzz.

Debut feature director Jay Berman (Christopher Guest), steers cast and crew through a typically tumultuous independent film Home for Purim, an intimate period drama about a Jewish family's turbulent reunion on the occasion of the dying matriarch's favorite holiday. When Internet-generated rumors begin circulating that three of Purim's stars -- faded luminary Marilyn Hack (Catherine O'Hara), journeyman actor and former hot dog pitchman Victor Allan Miller (Harry Shearer), and ingenue Callie Webb (Parker Posey) -- may be perpetrating Award-worthy performances, a rumble of excitement rattles the cast. Once "Hollywood Now" anchors Chuck Porter (Fred Willard) and Cindy Martin (Jane Lynch) pick up the buzz, Award fever infects the entire production. Unit publicist Corey Taft (John Michael Higgins), talent agent Morley Orfkin (Eugene Levy), and producer Whitney Taylor Brown (Jennifer Coolidge) all smell the sudden potential for a sleeper hit. As does Sunfish Classics President Martin Gibb (Ricky Gervais), who suggests some last-minute changes to the film that he feels will broaden the film's appeal. Meanwhile, Purim's screenwriters, Lane Iverson (Michael McKean) and Philip Koontz (Bob Balaban) grow steadily more horrified as they watch the first film adaptation of their work diverge from their original story. As the hopeful Purim team careens toward the end of production and the upcoming Award season, tenuous relationsh

Debut feature director Jay Berman steers cast and crew through a typically tumultuous independent film Home for Purim, an intimate period drama about a Jewish family's turbulent reunion on the occasion of the dying matriarch's favorite holiday. Internet-generated rumors begin circulating about three of Purim's stars and soon the cast become victims of the dreaded awards buzz.

Oliver and Emily are reunited time and time again.

On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to ... lovers?

Debut feature director Jay Berman (Christopher Guest), steers cast and crew through a typically tumultuous independent film Home for Purim, an intimate period drama about a Jewish family's turbulent reunion on the occasion of the dying matriarch's favorite holiday. When Internet-generated rumors begin circulating that three of Purim's stars -- faded luminary Marilyn Hack (Catherine O'Hara), journeyman actor and former hot dog pitchman Victor Allan Miller (Harry Shearer), and ingenue Callie Webb (Parker Posey) -- may be perpetrating Award-worthy performances, a rumble of excitement rattles the cast. Once 'Hollywood Now' anchors Chuck Porter (Fred Willard) and Cindy Martin (Jane Lynch) pick up the buzz, Award fever infects the entire production. Unit publicist Corey Taft (John Michael Higgins), talent agent Morley Orfkin (Eugene Levy), and producer Whitney Taylor Brown (Jennifer Coolidge) all smell the sudden potential for a sleeper hit. As does Sunfish Classics President Martin Gibb (Ricky Gervais), who suggests some last-minute changes to the film that he feels will broaden the film's appeal. Meanwhile, Purim's screenwriters, Lane Iverson (Michael McKean) and Philip Koontz (Bob Balaban) grow steadily more horrified as they watch the first film adaptation of their work diverge from their original story. As the hopeful Purim team careens toward the end of production and the upcoming Award season, tenuous relationships and brittle dreams play out in unexpected ways...