Sandra Knight

Set in France, a young officer sees a young woman who mysteriously disappears into the sea. He finds himself in a house where a portrait of the woman hangs and they say she has been dead for twenty years.

The Terror -- A young officer in Napoleon's army pursues a mysterious woman to the castle of an elderly Baron where he discovers that she is the pawn of an old witch bent on driving the Baron to suicide.

As several young women disappear in Venice, Calif., suspicion falls on tortured artist Antonio Sordi (William Campbell), who believes that his ancestor was a vampire. Also roaming the mod scene is Max (Karl Schanzer), a wannabe artist who drives his ditzy girlfriend into Sordi's arms. Produced by Roger Corman, this cult favorite stitches together portions of a Yugoslavian horror film with footage from two directors who have opposing viewpoints.

Lt. Andre Duvalier (played by a very young Jack Nicholson) is an officer in Napoleon's army. When he pursues a mysterious woman into the castle of an elderly baron (Boris Karloff), he uncovers a bizarre plot: A witch (Dorothy Neumann) is planning to drive the baron to suicide. Duvalier soon finds himself in a world of supernatural treachery where nothing is what it seems in this thriller shot in just three days by B movie king Roger Corman.

A young officer in Napoleon's army pursues a mysterious woman to the castle of an elderly Baron where he discovers that she is the pawn of an old witch bent on driving the Baron to suicide.

A young officer in Napoleon's army pursues a mysterious woman to the castle of an elderly Baron where he discovers that she is the pawn of an old witch bent on driving the Baron to suicide.

A cult classic from the master of the B-movie himself, director Roger Corman, available for the first time in thrilling High Definition!In one of his first-ever roles, a young Jack Nicholson stars as Lt. Andre Duvalier, a soldier in Napoleon’s army in 19th century France, separated from his regiment. He awakens on a beach to the sight of a strange woman who leads him to the gothic, towering castle that serves as home to eerie Baron Von Leppe (Boris Karloff). But, as Duvalier soon discovers, nothing is what it seems in this ghastly, haunted mansion of death!

When Napoleonic cavalry soldier Lt. Andre Duvalier becomes estranged from his unit, he comes upon a mysterious woman named Helene along the coast of Germany. Immediately, the lieutenant is taken with her, but quickly becomes suspicious of her Actions. Things get even stranger when Duvalier is put up for the night at a nearby castle maintained by a baron (Boris Karloff).

The Terror -- A young officer in Napoleon's army pursues a mysterious woman to the castle of an elderly Baron.

Suburban scientist Oliver Frank creates a she-monster of the night.

In the words of Bugs Bunny, "Monsters lead such interesting lives." That they do. And when they're not drinking blood, rising from the dead or trashing Tokyo, they seem to be doing what comes naturally: getting hitched and having a crop of kids. In "Frankenstein's Daughter," the Doctor's grandson continues with his infamous grandad's experiments and creates a hideous she-monster, a cross between a sumo wrestler, a porterhouse steak and the "brain" of a blonde bimbo, complete with a permanent wave down to her toes. An exploitation movie milestone in the monster offspring subgenre, "Frankenstein's Daughter" is the third of four drive-in classics crafted by producer Marc Frederic and director Richard Cunha in their late-'50s moviemaking heyday.

In the words of Bugs Bunny, "Monsters lead such interesting lives." That they do. And when they're not drinking blood, rising from the dead or trashing Tokyo, they seem to be doing what comes naturally: getting hitched and having a crop of kids. In "Frankenstein's Daughter," the Doctor's grandson continues with his infamous grandad's experiments and creates a hideous she-monster, a cross between a sumo wrestler, a porterhouse steak and the "brain" of a blonde bimbo, complete with a permanent wave down to her toes. An exploitation movie milestone in the monster offspring subgenre, "Frankenstein's Daughter" is the third of four drive-in classics crafted by producer Marc Frederic and director Richard Cunha in their late-'50s moviemaking heyday.