Roxane Mesquida

Now In Theaters. When a handsome young writer falls for a gorgeous, seductive vampire, their wild romance seems destined for the ages--until the appearance of her cruel, sex-crazed undead sister threatens to unravel it all.

Now In Theaters. When a handsome young writer falls for a gorgeous, seductive vampire, their wild romance seems destined for the ages--until the appearance of her cruel, sex-crazed undead sister threatens to unravel it all.

Rubber is the story of Robert, an inanimate tire that has been abandoned in the desert and then suddenly and inexplicably comes to life. As Robert roams the bleak landscape, he discovers that he possesses terrifying telepathic powers that give him the ability to destroy anything he wishes. At first content to prey on discarded objects and small desert creatures, his attention soon turns to humans, especially a beautiful and mysterious woman who crosses his path. Leaving a swath of destruction behind, Robert becomes a chaotic force and truly a movie villain for the ages.

RUBBER is the story of Robert, an inanimate tire that has been abandoned in the desert, and suddenly and inexplicably comes to life. As Robert roams the bleak landscape, he discovers that he possesses terrifying telepathic powers that give him the ability to destroy anything he wishes without having to move. His attention soon turns to humans, especially a beautiful and mysterious woman who crosses his path. Leaving a swath of destruction across the desert landscape, Robert becomes a chaotic force to be reckoned with, and truly a movie villain for the ages.

A college student spends his days hanging with his friends and his nights lusting after his straight roommate, until a wild party shatters his world.

The latest film from iconoclastic independent filmmaker Gregg Araki, KABOOM is a hyper-stylized ”Twin Peaks” for the Coachella Generation, featuring a gorgeous young cast. A wild, witty and sex-drenched horror-comedy thriller, KABOOM tells the story of Smith (Thomas Dekker), an ambisexual 18-year-old college freshman who stumbles upon a monstrous conspiracy in a seemingly idyllic Southern California seaside town. KABOOM shares key touchstones of Araki’s early films, including scatological and absurd Valley-inflected dialogue, elements of campy gore and Araki’s troupe of arrestingly sexy guys and girls. With his sophisticated synthesis of various experiments in tone and cinematography, Araki has reached a new level of artistic maturity.

A car tire named Robert rolls through the desert Southwest using its strange psychic powers to blow up birds, bunnies, human beings and more.

Set in 19th century France, IFC's indie period piece, The Last Mistress chronicles the love affair between tempestuous Spanish mistress Vellini (Asia Argento) and distinguished, well-bred Ryno de Marigny (Fu'ad Ait Aattou). Ryno's attempt to remain faithful to his wife Hermangarde, a highly regarded young woman of the French aristocracy, profoundly fails as Vellini reappears in Ryno's life, offering him the passion and emotional connection he lacks in his marriage. His reluctant obsession with Vellini eventually overtakes his conscience, as he succumbs to the deceitful path of infidelity.

Sex Is Comedy, the latest film from controversial, groundbreaking French director Catherine Breillat, takes us into the world of Jeanne (Anne Parillaud), a director struggling with a difficult sex scene between a young actor and actress who can't stand one another. Aided by her loyal assistant Leo (Ashley Wanninger), Jeanne is hell-bent on getting the scene right without compromise. Inspired by Breillat's own experience, Sex Is Comedy explores the mystery and humor of social manipulations, sex and power within the confines of a feature-film set. An indie film brought to you by IFC Films.

A female director tries to film a sexy scene for her new movie.

A female director tries to film a sexy scene for her new movie.

Filmmaker Catherine Breillat's semiautobiographical tale captures the making of a cinematic sex scene in all its awkwardness.